The ARTIST KUZMA SERGEEVICH PETROV VODKIN (1878-1939)

the AMAZING WORLD CUPS

Petrov-Водкин of course was not the first master" стаканного" genre in art history. And as you can see, long before the artists also portrayed a variety of glass vessels in his still lifes, including faceted glass.

Grapes. (1938). (State Russian Museum). Author: Kuzma Петров-Водкин.

During the revolution of faceted glass and steel piles of the proletarian subject. In 1918 on" Утреннем still life" Petrov-Водкин portrayed their first 12-гранный a glass of tea. And write he had them in his artistic career many @- and faceted, smooth and normal. What these still lifes will create a series of paintings on glass vessel and went down in the annals of world art.

Pink still life. Branch of Apple. (1918.) (State Tretyakov Gallery). Author: Kuzma Петров-Водкин.

Analyzing the creativity of Petrov-Водкина critics came to the conclusion that the artist impassable revolutionary years turned to the genre of still life from despair. "Выходить once again from the house to the open air is dangerous — outside the window the dictatorship of the proletariat. Pay nothing models — around hunger and poverty. That expects art to the new government of workers and peasants — is also not clear. That is to draw a table with faceted glass, meager rations and apples that mom sends from the distant Хвалынска".

-видимому slogan: "Богатый cunning, Gaulle @- Fudge" under which Kuzma Sergeevich lived all my life and played a key role.

still life with glass, fruit and photography. (1924). (Private collection). Author: Kuzma Петров-Водкин.

every still life, the skill of the artist was strengthened, and he became one of the outstanding masters of this genre in the history of Russian painting. In each work can be traced as a painter skillfully refracts in the glass faces of the surrounding objects, and the example of spoons is visible best. And the artist in a wonderful way created the illusion of three-dimensionality and fullness of the vessel.

bird Cherry in a glass. (1932). (State Russian Museum). Author: Kuzma Петров-Водкин.

still life paintings of Kuzma Sergeevich with glasses is something causing a number of associations with the ambiguous name of the artist, inherited from drinkers-деда, who managed to the name" Петров" to get prefix @-" Водкин". The imprint of this is not too honorable name, the artist had to carry your whole life. And it"s with one hand. But on the other — outstanding" многогранность" talent Petrova-Водкина: artist and writer, self-taught and theorist, painter and a modernist.

Morning still-life. (1918). (State Russian Museum). Author: Kuzma Петров-Водкин.

And if the image of the apples he got close to mastery of cézanne, faceted glasses Petrov-Водкин absolute master of No. 1 in the world.

at the samovar. (1926.) (State Russian Museum). Author: Kuzma Петров-Водкин.

still life with inkwell 1934 (State Russian Museum). Author: Kuzma Петров-Водкин.

still life with letters. (1925). (Private collection). Author: Kuzma Петров-Водкин.

Fruit. (1934). (Simferopol Art Museum). Author: Kuzma Петров-Водкин.

still life on a green background. (1924.) (Sevastopol art Museum). Author: Kuzma Петров-Водкин.

Source: https://kulturologia.EN/blogs/300618/39506/