After the extinction of the capital psevdoakademicheskogo project, which has left traces in the form of crowding round Pushkin Museum of Fine galleries Shilov and Glazunov, the concept of "national art" is empty. The images of the homeland has consistently exploited only in the Belyaev-Gintovt futurological key and the "Blue Noses" in Ethnography. The energetic young people focused on a kind of "international context" and rivet together something critical. Exhibition of "Homeland" recreates the...