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Konstantin Zvezdochetov. Exhibition "normal civilization." XL Gallery.

Posted 06-06-2009 at 05:21 by Евгений

Vladimir Bogdanov.
What you need to remember when going to an exhibition of Constantine Zvezdochetova? The name of the artist's long and firmly stands in the main "clip" of the first names of contemporary Russian art. His works are included in major museum collections and the collection of high-level.
Quote:
Originally Posted by Vladimir View Post
Moreover, in the collection are very different in spirit. Thus recognizable fun with love as exhibited in the museum Zimmerly (Norton Dodge collection), and in a far more frivolous museum of modern art Igor Markin - ART4.ru. Zvezdochetov born in 1958, belongs to a generation eighties, who has enough energy to have fun, when it was already in its tenth year and not far off. In the eighties Zvezdochetov was one of the leading artistic groups "Amanita" (except for him it was part of Sven Gundlah, Alexei Kamensky, Vladimir Mironenko, Sergei Mironenko, see http://azbuka.gif.ru/alfabet/m/muhomory /), and later worked with "World Champions" (Gia Abramishvili, Konstantin Latyshev, Boris Matrosov, Andrew Yakhnin http://azbuka.gif.ru/alfabet/ch/chempiony-mira/).

Researchers at the artist's work, perhaps indignant such a simplification, but you sure Zvezdochetova IMHO you can call a special caricature of a non-specific genre. Only in the version that is transferred to large-format canvas, but more scenic resources. As a comic, Liechtenstein, magnified to gigantic size, decomposes to abstraction, and caricature Zvezdochetova with increasing scale detached from the original lightly.

In keeping with this genre is made and the exhibition "normal civilization" - a satirical treatment of the views of the Soviet man in the street to the west "unspiritual society of consumption". A mixture of fetishes and prejudices involved in air time. But nothing had been forgotten - an era of ruthless satirical articles, the journal "Crocodile" and other anti-Western arrogance, for which, as we now understand, hiding uncertainty and fear. It was: strained ridicule stupidity various "stilyagi" and other "fartsy" with their horizons invalid philistine desires - money, jeans, Beatle, Marlborough, Sony, Panasonic and other whiskey and Coke. Get taller - and then the casino, Canaries, Hollywood, decent society. Actually, reread today incriminating satires of old newspapers and magazines, already knowing what the whole badyaga ended - a real adventure! Believe me, no Zvezdochetov so do not laugh.

Fetishes cherished, but inaccessible to the Soviet people of Western culture as the time and were the exhibits of the current exhibition. Demonstration depravity mass culture, intentional grammatical errors in the names (and who knows what is written there is Koka-Kola) - such a bright little world of pop capitalism. And all this under Muzychka like "We - the bandits, gangsterito, we have the brass knuckles, pistol, ooo-eee» from The Adventures of Captain Vrungel ". The mood is set perfectly - the whole show smile never left his face. It's funny and positive. Another thing is to see such things in front of you every day. Here the question. How soon will become bored psevdoafishi Lolita with Rosita and psevdoreklama Koka-Kola? Indeed joke - instant thing. Sometimes funny to see the work in the morning - as heard twice repeated by the joke.

Eighties have not yet become fully auction artists, but in the base ARTinvestment.ru have 15 entries for work Zvezdochetova. It is against the background of an impressive figure. The best result - 92, 4 thousand pounds, paid for the six-foot canvas with a complex called "Purdue-K-62M». Painting with an unusually grim story set a record for the artist's work last summer. But this case is so far the exclusive and therefore does not determine the general price level. Where more in this revealing, perhaps, optimistic acrylics and collages of the late vosmidlesyatyh-early nineties, which in the past "fat" was sold at auctions worldwide for 10-20 thousand pounds. The prices of works from the exhibition "normal civilization" every idle interested visitors organizers did not call. To the enemy does not guessed?
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  1. Old Comment
    Евгений's Avatar
    CATHERINE tar looked exhibition veteran "gay conceptualism" together with his old friend, the artist Nikita Alexeev
     
    Читать дальше... 
    The conversation took place at the new exhibition Constantine Zvezdochetova "normal civilization" in the XL Gallery


    CATHERINE tar (included in the exhibition): Well, what are we here so ... tell me to start. You're here, might have already occurred, but I do not.

    Nikita Alexeev: called a "normal civilization", the first in many years, Kostina exhibition, which in itself is important, because for a long time, he wriggled from exhibitions.

    ED: So ... a palm tree, the moon ... "Shop", "Sex" ... This is his idea of Western civilization, which we capture?

    NA: As I understand it, no. Kostya was referring to a paradise in the understanding of the Soviet citizen. The attempt, like Kostya said, to build a paradise on earth, which is quite amusing, given his religious beliefs ...

    ED: Tell me how you see the place of the artist Konstantin Zvezdochetova in the history of Russian art?

    NA: A remarkable artist, but I have to say about him is hard - I'm watching him more than thirty years, I have obviously not fresh eyes. On the other hand, it may be, and well: I've seen enough. Once upon a time, in the early eighties, I just watched with delight Kostin painting. He's able to do such a wonderful, funny, Likha, very beautiful painting, which no one in the circle Aptian-art, but it do not know how. And Kostya, when he had to flirt (and he likes it), said sometimes that in all its creative troubles my fault: in fact he was a poet, but I convinced him that he was an artist. He foolishly believed it, and now here ...

    ED: Do you like it the color?

    NA: Color, ease of execution, almost matissovskaya. This is a very good painting really is. Then, the truth, I, a period of appalling sadness of his this endless "krokodilskoy" repaint (Zvezdochetov inspired by cartoons from the magazine "Crocodile». - OS). Look at it could not ... But with a year ago Kostya began to teach me some good sense. Why do I have bad things in the market, the paintings are not sold. Because, says you are behaving correctly, you try to invent new, undo styles, and have at one point batter years, then all will go well. However, a few days he comes to the studio - we also share with him the studio ... Come, all seething with indignation, not just couples attending. It turns out that he went into the yard, do not shut the gate, and the concierge told him: "Woodpeckers are all walking"
    Read more http://www.openspace.ru/art/projects...details/10537/
    Posted 11-06-2009 at 17:38 by Евгений Евгений is offline
  2. Old Comment
    Евгений's Avatar
    New project Constantine Zvezdochetova "normal civilization" - a large-scale attempt to portray the western world as he saw a "simple Soviet man." The artist creates a panopticon of images that are associated with the word "abroad", which is a citizen of the Soviet Union was represented as a place of endless and shameless surplus, a large counter, at which deficits crowd, but around an atmosphere of permissiveness, prostitution, drugs, whiskey drunk and heady cocktails. In general, as discussed in the USSR: "Take off your pants, let's play in the Americans!".
    Читать дальше... 
    Foreign seemed "Paradise", and emigration occurred logically perceived as a transition to another world. Dim semblance of "Paradise-abroad" in the life of "Soviet man" could really be that the Black Sea or the Baltic resort where you can play around with generous jigits or at the worst business trip from Samara, sitting in cafes and photographed on the beach with an inflatable - of course import - a dolphin. But this paradise, in contrast to the present overseas, was fake, including the palm tree and parrot on it. And out of this "Paradise", or as it was pointedly expressed by "there", as a rule, did not return. Therefore, the submission of the original Eden "simple Soviet man", who was his uncle, a diplomat or a classmate, spiv, except that he could draw from official sources, such as the TV program "International panorama" or pictures and caricatures from newspapers and magazines. This caricature-based advocacy Zvezdochetov was universal alphabet "normal civilization" - here and Ambassador, and Golf, and Lolita, and Tango Salon, and some really quite incredible Cauchemar «à la française" - and all this in the original, slovenly ( but in fact a very labor intensive) style of "early Zvezdochetova".
    However, stargazers would not be himself, if not laid down in its new project, several levels of perception. Exploring the deep consciousness of the Soviet man, Zvezdochetov concurrently enters into a dialogue with the history of art, parodying the American pop art. But if true, uorholovsky and swarm-lihtenshteynovsky pop art cataloged consumer society, juggling commercial way, Zvezdochetov takes these images, filtered through the ideological slaughter, and builds a total installation - the capitalist temple objects of desire, where all the Super! and Das ist fantastisch!
    However, not going to hurt "the Soviet man." Perhaps he was naive and trusting, but by no means alone in the perception of advertising imperatives and values in life, like «Drink», «Smoke», «Casino», «Bar», «Shop Sex». Ironically, but for the vast majority of people in this world and there are signs of "modern society". And seeing on the outskirts of a dirty Indian village poster «Koka-kola», think: "Well, here, here, like all other people - normal civilization!»
    --------------- -------------------
    View exhibition Normal Civilization
    Posted 12-06-2009 at 06:25 by Евгений Евгений is offline
 




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