the Variety of items and situations in her paintings tends to infinity, as well as the natural world offers an infinite number of ideas
" Возможно, should stay on the purely semantic value of the word" поэзия" to better understand the language of this artist, who, by means of one of the earliest and most ancient forms of expression, that is, copying from nature, succeeds in creating images, creating the idea of" натуралистическом mind", which is itself usually does not occur.
thus, the concept" poetry", derived from the Greek term poiein, which means" изобретать, compose, producing, produce, generate", describes the generative act, and to become a" чем-то" what no". Therefore, the poetic effect of the paintings by the Italian artist Chiara Cappelletti (Chiara Cappelletti) is to physically gather (combine) the material elements with the other, abstract and symbolic, using both hands and thought.
in the same way, Chiara connects the real, concrete universe, which consists of people (mostly female), animals (often dogs), natural elements and other environmental factors, internal and external: fantastic, philosophical, real, universe is unreal submits to the faith, not logic. The variety of items and situations in her paintings are diverse and tends to infinity, as well as the natural world offers an indefinite number of ideas.
But expressive" естественности" artist always has a destabilizing element: her idea, her fantasy, her experiences which she brings to the real universe, but this item is" под land", he is almost always invisible. Her performance suggests the possibility that" природа" contains an endogenous component, sometimes forcing it to deviate from its course. The effect is alienating, absurd, ironic, extravagant; but allows her paintings to become dissimilar works of twentieth-century surrealism and metaphysics of De Chirico or Savinio" @- Giovanna Grossato.
the Variety of subjects and situations. Chiara Cappelletti @- chiaracappelletti.wixsite.com
