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Symphonic fantasies Russian composers

Запись от Про искусство размещена 06.07.2020 в 11:45

Outside the genre, there is no one work of art.
for Example, the genre" fantasy". This term is often called" common in the XIX-XX centuries, the genre of instrumental or orchestral music based on free using themes borrowed from his own compositions or the compositions of other composers, as well as from the folklore of"
And in the works of Russian composers developed a new kind of genre – symphonic fantasy, which often dominate national origins and fantastic images.
фантазия (700x469, 532Kb)

so, in the genre of" Fantasy" masterpieces of Russian classics.


... in the Spring of 1893 20-летний Sergei Rachmaninov was deeply in love with, but his youthful feelings were rejected by their parents sweetheart. In September of the same year, on the evening the young composer Taneyev presented to the colleagues (among whom were Tchaikovsky) new work @ - a symphonic fantasy" the Rock". On the score, the author has left a note:" this Fantasy was written under the influence of Lermontov"s poem" the Rock".

five years Later, Rachmaninoff gave Chekhov the score" Rock" with the inscription:" Dear and highly esteemed Anton Pavlovich Chekhov, the author of story"On the way", the contents of which with the same epigraph("Ночевала the Golden cloud/breast rock великана..."М.Ю.Лермонтов) was a programme for this musical composition". A. P. Chekhov."On the way"



cheat.D.Zhuravlev


So what has awakened the imagination of Rachmaninov: unhappy love, a poem of Lermontov or Chekhov? Response to hear the music!

the Introductory section opens with rock, sad, but full of restrained passion. Gradually the theme of rock assumes the character of a passionate entreaty, then there is a timid motive of love (solo flute, then oboe and a French horn) — as though trembled the heart of the old cliff. This theme sounds more and more desperate. As if from a distance came the echo of the theme of unfulfilled love. Again and again returns to the theme of clouds as a memory. The music reaches a huge climax and only the last bars fade to pianissimo.

"Rock", symphonic fantasy



Symphony orchestra BP
Conductor N. S. Golovanov
entry 1952


As you can see, the imagination for a composer – not fiction and not fiction. Have a musical imagination, as a rule, there is the advent...

... To M. I. Glinka this source of inspiration was folk songs.
the Famous" Kamarinskaya"(or as they call it a work of" Russian Scherzo"), where the author brilliantly transcribed for orchestra two Russian folk songs.
Using folk remedies, the author shows the Spirit of the festivities, his mood, his energy. The author draws not only dance, but also the dancing of the characters, their personalities and relationships. To listen to the same melody, and not to dance myself would be boring. Therefore, the composer is really" not enough" of one topic, and he did a double variation. Women"s Majesty in this case is not so much the contrast, as by the addition of a full picture of life.
"Kamarinskaya"
Fantasy on themes of wedding songs and dance
(1848)



Symphony Orchestra of Moscow Radio
Conductor K. Ivanov


"...настоящая Russian symphonic school. All of it in" Камаринской", just as the whole oak is in the acorn! And long from this rich source will be a source of Russian writers, because you need much time and much strength to exhaust all this богатство."
Tchaikovsky

***

For Tchaikovsky when creating scores of" Francesca da Rimini", the starting point was the story of the" divine Comedy" of Dante about the tragic love story of Francesca and Paolo.

"...Франческа da Rimini" - work extremely brilliant, instrumented with a striking art. Game dazzling orchestral colors, inexhaustible rich and constantly changing, from beginning to end keeps the listener as if under the effect of what-то галлюцинации".
G. Laroche, 1845-1904 - Russian music critic

"Francesca da Rimini"
symphonic fantasy




State Symphony orchestra of the Russian Federation
Conductor Evgeny Svetlanov


***

Pianist and composer A. S. Arensky was shocked by the performance of Russian folk tales by storyteller Riabinini, which the modern audience would not have known if not "Fantasia on themes of Ryabinin for piano and orchestra".

In the beginning, in the introduction clearly emerges that the nature of" the musical epic". The entry says," now we will tell about ancient heroes, their life-бытие, the exploits and experiences". The motive for the epic" Dobrynya and Vasily Kazimirov" rich broad melodic line, different shades of moods - from solemn to sad. When the piano part comes in a clear-cut" tread" and an accelerated pace, this means that there is the theme of the second epic:" Volga and Mikula". Music draw a picture of the duel, the strength and might of heroes, courage and bravery, of Patriotic feelings. As a generalization of sounds again the first topic, creating a complete story:" so they lived and honey, drinking beer... mustache dripping, and mouth has not got".



M. Greenberg and State Symphony orchestra of the radio information of the USSR, conductor Sergei Gorchakov (1947)

***

There are in music such force,
this painful power,
that is under it to fall,
, and life seems beautiful.

Alexander Dolsky


https://www.belcanto.EN/rachmaninov_rock.html
http://files.school-collection.edu.ru/dlrstore/676..._Fantasy_na_temy_Ryabinina.htm
http://files.school-collection.edu.ru/dlrstore/618...GlinkaKamarinskayaOpisanie.htm


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