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How did the huge stream of modern art to understand, "What is truth?"

Запись от Пупель размещена 22.10.2009 в 13:40

How then in a conversation with a Moscow artist, we touched on the subject of our Russian state art museums. We have a wonderful collection of paintings. Thank you patrons, who in their time at your own risk, relying solely on personal taste, bought paintings by contemporary artists.
  The pioneer in collecting the Impressionists was M. Morozov, who bought the sketch of Edouard Manet "Tavern." S. Shchukin Russia owes the largest collection of Impressionist and quality. He also identified the first essential value of the works of Paul Gauguin and Pablo Picasso.
The first painting Monet Shchukin bought in November 1898 - "Cliffs of Belle-Ile" (GMII). By mid 1900-ies he bought eleven paintings wizard. Subsequently, his collection was enriched with paintings by J. Whistler, Puvis de Chavannes, P. Signac, Henri Rousseau. A particularly close cooperation has been established at the Shchukin with Henri Matisse, Shchukin commissioned a panel to which the "Music" and "Dance" and "Harmony in Red (Red Room)" specially ordered Shchukin in 1908 for the dining room. Matisse paintings in the mansion, including the players in the balls "were placed under the supervision of the artist during his visit to Moscow. In the dining room of the mansion Shchukin hung 16 paintings Gauguin in dense hanging - they were shifted to one another so closely that at first the audience did not even pointed out where one ends and another begins. Impression murals, the iconostasis, as the magazine Apollo. 11 of them comes from the collection of Gustav Faye, Shchukin bought them in bulk in the gallery Dryue. However, to evaluate this artist Shchukin could only after some effort: buying a first fabric, he hung it in his office for a long time to get used to it, considering alone. On the other hand, rasprobovat, bought up almost the entire tahitian cycle. Since Picasso refused on display, with his works Shchukin met, visiting private homes, in particular, "salon" of Gertrude Stein and her brothers Leo assembly and Michael. Among the purchases Shchukin included: "The Absinthe Drinker," "Old Jew boy", "Portrait of the Poet Sabartesa" and other works of pink and blue periods, as well as Cubist Woman with a Fan, "a factory in the village of Horta de Ebro". Collection Shchukin enriched the "Picasso" from the collection of Stein.
So, continuing a theme ...
Once in a conversation with a Moscow artist we mentally viewed halls of the museum of Fine Arts. Pushkin remembering and discussing it is the very picture bought at your own risk. At the post impressionism time in Russia stops. All content! By the way, and rooms available for the continuation of the collection is not provided. Pity. It is a pity that in the history of public art museums in Russia ends with the beginning of last century. And further, as the saying goes - silence.
This summer I visited the Metropolitan Museum in New York. Place well-known. Collection unique. With what pleasure I was walking on huge spacious rooms: antiquity, early medieval, baroque, classicism, romanticism, impressionism, post-Impressionism, Art Nouveau, and immediately contemporary art - artists who live now actively participating in the global exhibition and art galleries life. I thought bitterly that America is far, not accident. Why do we have in Russia, the new democratic Russia, where interest in art museums is huge (standing to bring either that the Pushkin, the queue is in the five circles) and rich people are, by the way ...
Why are we still missing collection of paintings of the twentieth century? Because of this gap, there are problems with galleries of contemporary art. People just need primary sources. In Moscow there are a lot of sites exhibition stands "contemporary art", that every day you can hear something about one or the other about the exhibition, installation, heppining. Moscow audience is forced to attend these events. The desire to be introduced to all new indestructible. How did the huge stream of modern art to understand, "What is truth?"
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