Thoughts on the art of portraiture artists
Запись от Владлен1234 размещена 27.08.2011 в 19:59
Thoughts on the art of portraiture artists
31/05/10
Thoughts about the portrait painters Giovanni Bernini - When an image or whether someone from life all it is to be able to capture that quality which is peculiar only to this person and that nature did not give to others, but only gave him ... If a man posing motionless, he never look like themselves as well as in motion, and found that the quality belonging only to him and anyone else ...
Francisco Pacheco Turning to the attractive theme of the portrait, rather sharpened pen, then a great deal to talk. Two responsibilities facing the portrait painter, first, that the portrait was probably more similar to the original is the main principle for what he is doing it and what is the customer satisfied. The second fact, that the portrait was painted and well written.
Etienne Falconet-Various Portraits should each have as little resemblance as different faces.
Jean Auguste Ingres, Portrait of the similarities are often lacking, because for him ill posed in a bad location of light and shadow, so it is difficult to know the original, if you saw it in the same place where he wrote. To achieve similarity properly, we must be imbued by a person who wants to write, consider it your fill on all sides and even to devote the first session. In addition, there is a person who is more suitable en face, the other-three-quarter or one side, some profile. Some require a lot of light, others make a great impression when there is a shadow, especially skinny people who want to put a shadow in the deepening of the eye, which makes the effect more head and expression. And for this we must provide coverage above and in small quantities.
Eugene Delacroix, most artists have learned the habit of slavish perceived and their followers, to exaggerate the darkness of the background in portraits: that way they make people think more impressive. But this dark background, along with lighted faces, as they show an artist, it destroys the basic dignity of every portrait, simplicity ... The simplicity is the main charm of the portrait. I am not one of those portraits where the idealized traits of the famous man who can not see, and portraits, written by reproductions. For such images lawfully admix fiction. These portraits are those that are written with contemporaries nice to see them on the canvas as we meet them in life, even if they were celebrities. Although they are far from our eyes, our minds tend to magnify their images, as well as their inherent dignity. When their images were sealed and is in front of our eyes, we compare the reality is infinitely pleased with the creation of our imagination.
Charles Baudelaire, a good portrait is a dramatized biography of the model, the disclosure of the natural drama inherent in every person. Portrait! What could be simpler and more complex, deeper and clearer.
Paul Gauguin, When I look at the portrait, painted by Rembrandt or Velasquez, I paid little attention to the features of the face image, but I have an intimate perception of the moral character of artists themselves.
VATropinin - ... Do not lose sight of that in the main portrait, face, head work with care and diligence, the rest is a secondary matter. Look for a portrait during landing someone else that he does not sit well looked after, put his hand that way, and so on, try to distract him and even talk to distract from the idea that he sits for a portrait. ... We need to try to save (or more correctly-notice) in the landing, the movement of the head, hands, natural grace, Every spanned, elegant figure position acts unpleasant to the eye, it is in nature is not so noticeable, because it is mostly a momentary, temporary, and on canvas it stays forever. So to avoid any stretch (of elegance and ugliness) ... need to see that hair style, dresses, dresses, everything that was not attached themselves, smoothed, and so packed, some negligence in all of this is beautiful and pleasing to the eye.
Pavel Fedotov - Can you catch the soul of man is come specifically with the aim to write with his portrait? What he was doing? What is fun? He sits, not daring to move. Great artists have the ability to capture the soul prozirat and even in such a senseless stupid moments of immobility. However, I still believe that the portrait should be a historical painting, which depicted the face of the agent would be: if only it would be the meaning, life, nature is seen that with whom they write.
I. Kama - We just went to the portrait Strepetova Yaroshenko. You say: "This is outrageous!" And I understand what you're looking for here is that you sometimes saw in Strepetova, making it not only interesting, but remarkably beautiful and attractive. And, although I would argue that the portrait of the most remarkable in Yaroshenko, this painting is the same as in the literature, portrait, written by Dostoevsky. Is this good or bad, I do not know, bad for his contemporaries, but when we come down from the stage, I dare to prophesy that the portrait will stop any Strepetova. He will not be able to know and if this is true and if so knew it alive, but everyone will see what a profound tragedy is expressed in the eyes, a hopeless suffering was in this man's life, and the audience of the future will say: "And all this neatly presented to a common denominator and as masterfully written! "Despite the details, the power of a general nature serves most. Do you think that He does not have written otherwise? Could, if he wished. But the fact of the matter is that he will not want to.
BMKustodiev - similar portrait is a portrait that looks like internally, which gives an idea of spiritual essence of man. And then to give the artist the right to represent their understanding of the essence. Otherwise, there is no need to contact the painter, but you have to go to the photographer.
MM Antakolsky - If I'm doing a portrait, I must show the person as he is, and not as I would like it smerit my artistic, traditional yardstick.
PD Korin - When I start working on a portrait, I already know in advance what I want to write. I reveal myself to the main characteristic features of man. Inside me, in my mind already formed an image that I want to recreate ... relentlessly think of a portrait, mentally I see it the way you want it to be. Source http://portretpofoto.ru
31/05/10
Thoughts about the portrait painters Giovanni Bernini - When an image or whether someone from life all it is to be able to capture that quality which is peculiar only to this person and that nature did not give to others, but only gave him ... If a man posing motionless, he never look like themselves as well as in motion, and found that the quality belonging only to him and anyone else ...
Francisco Pacheco Turning to the attractive theme of the portrait, rather sharpened pen, then a great deal to talk. Two responsibilities facing the portrait painter, first, that the portrait was probably more similar to the original is the main principle for what he is doing it and what is the customer satisfied. The second fact, that the portrait was painted and well written.
Etienne Falconet-Various Portraits should each have as little resemblance as different faces.
Jean Auguste Ingres, Portrait of the similarities are often lacking, because for him ill posed in a bad location of light and shadow, so it is difficult to know the original, if you saw it in the same place where he wrote. To achieve similarity properly, we must be imbued by a person who wants to write, consider it your fill on all sides and even to devote the first session. In addition, there is a person who is more suitable en face, the other-three-quarter or one side, some profile. Some require a lot of light, others make a great impression when there is a shadow, especially skinny people who want to put a shadow in the deepening of the eye, which makes the effect more head and expression. And for this we must provide coverage above and in small quantities.
Eugene Delacroix, most artists have learned the habit of slavish perceived and their followers, to exaggerate the darkness of the background in portraits: that way they make people think more impressive. But this dark background, along with lighted faces, as they show an artist, it destroys the basic dignity of every portrait, simplicity ... The simplicity is the main charm of the portrait. I am not one of those portraits where the idealized traits of the famous man who can not see, and portraits, written by reproductions. For such images lawfully admix fiction. These portraits are those that are written with contemporaries nice to see them on the canvas as we meet them in life, even if they were celebrities. Although they are far from our eyes, our minds tend to magnify their images, as well as their inherent dignity. When their images were sealed and is in front of our eyes, we compare the reality is infinitely pleased with the creation of our imagination.
Charles Baudelaire, a good portrait is a dramatized biography of the model, the disclosure of the natural drama inherent in every person. Portrait! What could be simpler and more complex, deeper and clearer.
Paul Gauguin, When I look at the portrait, painted by Rembrandt or Velasquez, I paid little attention to the features of the face image, but I have an intimate perception of the moral character of artists themselves.
VATropinin - ... Do not lose sight of that in the main portrait, face, head work with care and diligence, the rest is a secondary matter. Look for a portrait during landing someone else that he does not sit well looked after, put his hand that way, and so on, try to distract him and even talk to distract from the idea that he sits for a portrait. ... We need to try to save (or more correctly-notice) in the landing, the movement of the head, hands, natural grace, Every spanned, elegant figure position acts unpleasant to the eye, it is in nature is not so noticeable, because it is mostly a momentary, temporary, and on canvas it stays forever. So to avoid any stretch (of elegance and ugliness) ... need to see that hair style, dresses, dresses, everything that was not attached themselves, smoothed, and so packed, some negligence in all of this is beautiful and pleasing to the eye.
Pavel Fedotov - Can you catch the soul of man is come specifically with the aim to write with his portrait? What he was doing? What is fun? He sits, not daring to move. Great artists have the ability to capture the soul prozirat and even in such a senseless stupid moments of immobility. However, I still believe that the portrait should be a historical painting, which depicted the face of the agent would be: if only it would be the meaning, life, nature is seen that with whom they write.
I. Kama - We just went to the portrait Strepetova Yaroshenko. You say: "This is outrageous!" And I understand what you're looking for here is that you sometimes saw in Strepetova, making it not only interesting, but remarkably beautiful and attractive. And, although I would argue that the portrait of the most remarkable in Yaroshenko, this painting is the same as in the literature, portrait, written by Dostoevsky. Is this good or bad, I do not know, bad for his contemporaries, but when we come down from the stage, I dare to prophesy that the portrait will stop any Strepetova. He will not be able to know and if this is true and if so knew it alive, but everyone will see what a profound tragedy is expressed in the eyes, a hopeless suffering was in this man's life, and the audience of the future will say: "And all this neatly presented to a common denominator and as masterfully written! "Despite the details, the power of a general nature serves most. Do you think that He does not have written otherwise? Could, if he wished. But the fact of the matter is that he will not want to.
BMKustodiev - similar portrait is a portrait that looks like internally, which gives an idea of spiritual essence of man. And then to give the artist the right to represent their understanding of the essence. Otherwise, there is no need to contact the painter, but you have to go to the photographer.
MM Antakolsky - If I'm doing a portrait, I must show the person as he is, and not as I would like it smerit my artistic, traditional yardstick.
PD Korin - When I start working on a portrait, I already know in advance what I want to write. I reveal myself to the main characteristic features of man. Inside me, in my mind already formed an image that I want to recreate ... relentlessly think of a portrait, mentally I see it the way you want it to be. Source http://portretpofoto.ru
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