The technique of drawing" pate-sur-pate" (FR. pâte sur pâte —" mass per mass"," layer by layer") is very time-consuming, but the result is worth the effort.



Master strikes the workpiece slip mass, that is, the mixture of white clay, glycerine and water, the layers, literally, stroke by stroke. Still rough, not glazurirovannoj the product is easy to absorb water and the mixture solidifies, creating a three-dimensional image, conceived by the master.



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