Masterpieces of Russian painting at the "Красках and sounds". Part II
Запись от Про искусство размещена 04.07.2020 в 20:27
Friends, today I offer the second part of our new collection dedicated to selected masterpieces of Russian painting.
1. Bryullov, Karl Pavlovich (1799-1852)" Последний days of Pompeii"
"Последний days of Pompeii" — large painting by Karl Bryullov, which was completed in 1833. Kept in the State Russian Museum in St.-Петербурге. The painting depicts the events in Pompeii during the catastrophic eruption of mount Vesuvius that occurred in 79 ad. Karl Bryullov visited the excavation of Pompeii in the summer of 1827, during his visit to Naples, and there he got the idea to write a large canvas, on the death of Pompey. Customer paintings was Prince Anatoly Demidov. In General, the work on the painting took about six years.
read More about the picture: https://EN.wikipedia.org/wiki/Poslednyaya
(Music: Wojciech Kilar (1932-2013) Agnus Dei • Chamber Choir of Versija)
2. Makovsky, Konstantin Yegorovich (1839-1915)" Боярский wedding feast"
For work on canvas" Боярский wedding feast" Makovsky used a method" живой pictures" in which he previously made sketches of the surroundings recreated historical events with the participation of members of aristocratic circles and the help of his personal collection, which was a lot of historical costumes and everyday objects as from the folk and knights use. Work on the painting was completed in 1883, after which she became one of the most famous works of Makovsky, attributed to the genre of historical painting, depicting one of the stages of the Russian wedding ceremony.
read More about pattern: https://EN.wikipedia.org/wiki/Boyarskiye
(Music: Glier Reinhold (1875-1956)" Хороводная" from the Suite for ballet" Медный rider")
3. Pukirev Vasily Vladimirovich (1832-1890)" Неравный marriage"
Picture" Неравный marriage" Russian artist Vasily Pukirev was written in 1862, immediately after graduating from the Moscow school of painting, sculpture and architecture. First painting was exhibited at the academic exhibition in 1863. His General idea, strong expression, unusual for a household plot size and the virtuosity she once put the artist on one of the most prominent places among the Russian painters. according to one version, Vasiliy Pukirev painted on the picture of love drama my friend. The young merchant Sergey Varentsov was in love with the girl, but the parents preferred to give the beauty of a man 13 years older than her.
read More about pattern: https://EN.wikipedia.org/wiki/Neravnyy(picture)
(Music: Tchaikovsky Pyotr Ilyich (1840-1893) - 6 romances, Op. 6: VI." Нет, the only one who knew" use the Moscow new Philharmonic orchestra)
4. Repin, Ilya Yefimovich (1844-1930)" Бурлаки on the Volga"
"Бурлаки on the Volga" — painting by Russian artist Ilya Repin, created in 1870—1873 years. Depicts a gang of boatmen during operation. The painting has dimensions 131,5×281 cm and is in the Russian Museum in Saint-Петербурге. According to the memoirs of the artist, the idea of the movie originated in 1869, when, during work on the competition painting" Иов and his friends" he together with Konstantin Savitsky went to the river sketching. He saw there for the first time boatmen of Repin made a strong impression by its contrast with the cheerful society and the picturesque nature. Then was created the first watercolor sketch paintings, which included, besides the boatmen and contrastirovania with them truckers. This composition of the painting has been criticized by Fyodor Vasilyev as" искусственная" and" рассудочная". The latter, together with Ivan Kramskoy, found steinernema at the time in the media Repin required to travel to the Volga 200 rubles.
read More about pattern: https://EN.wikipedia.org/wiki/Burlukina
(Music:" Эй uhnem" - Russian folk song)
5. Vereshchagin, Vasily Vasilyevich (1842-1904)" Римское crucifixion"
Impressive the fabric" Распятие on the cross the Romans" was completed by the artist in 1887 during his stay in Paris in his Paris Studio, which has been specially equipped to build large-scale works. Vereshchagin planned the creation of this painting in 1876, and over the next ten years wanted to quickly finish it. Rejecting the existing traditions where the depiction of the figure of Christ crucified is usually placed in the Central part of the canvas, Vereshchagin draws a Savior at the right edge of the canvas. Thus, the viewer"s attention primarily focused on the image of the crowd. The spectator feels himself a part of it, but in order to see what is happening he has to look over the heads facing in front of people and horses. Above recognizable figures in merchants, the Pharisees and grieving followers of Christ hanging walls, while along the horizon stretched the darkened sky. The foreground is occupied by the figure follow the order of the Roman soldiers, armed with pikes and spears.
(Music: Wolfgang Amadeus Mozart (1756 -1791) Requiem Lacrimosa)
Link to original
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