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Paintings of the Soviet period is full of brilliant names. Unfortunately, time is sometimes ruthlessly to the memory of the art formerly known authors. Example is the name of the prematurely departed in 1997 a full member of Arts, Honored Art Worker of the RSFSR Filatcheva Oleg Pavlovich (1937-1997). In 2007, academic halls Prechistenke an exhibition of his memory have included a pictorial and graphic works submitted by the artist's family. OP Filatchev better known as a muralist. He worked not only in the USSR but also abroad. Its walls were decorated with paintings of the USSR Embassy in Washington. Some radical citizens linked intravital success with "giperkonformizmom" mirovoreniya artist in relation to power. Leave on their conscience this statement. OP Filatchev entered the history of art as an artist reinterpreting dull aesthetics severe style, enriching it with new image-plastic language. Filatcheva favorite artists were painters of the early Renaissance. It was in this cultural-historical paradigm was the life-giving source of inspiration and creativity of the author of the landmark. Undoubted interest are the series of portraits of his contemporaries, executed in tempera on levkasnomu ground, as well as a magnificent series of graphic works dedicated to the fishermen to the north and military pilots.
Most of the heritage of the artist is included in the collections of major public museums. The market is practically no work of this author. In this regard, there is no information about the artistic heritage. But sorry. Yourself OP Filatcheva not so clearly understood in the context of the cultural perspective of artistic life in the USSR 70-ies. He himself, not only as a painter, but also as a person, were a type of universal and harmonious human era of great style.
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Mysteries of "Christ Emmanuel"

Posted 22-04-2010 at 15:09 by OTROK NIKODIM (Pictures)

Icon of Christ Emmanuel, "after restoration
The hall № 20 of the State Historical Museum, the specially equipped cloudy glasses, not overlooking the bright lights, "prescribed" after nearly 10-year restoration of a unique icon of Christ Emmanuel "- a significant size (2,24 m x 1,2 m), performed in a rare technique, which combines icon on satin silk and applique, and ... many of concealing his secret even puzzles.

In 1925, after the Resurrection Gates has not yet been demolished...
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Vsevolod Emelin - for the upcoming May 9 parade in Red Square ...

Posted 17-04-2010 at 18:13 by OTROK NIKODIM (Pictures)

Vsevolod Emelin - for the upcoming May 9 parade in Red Square with the participation of military equipment.
 
The upcoming May 9 parade in Red Square with the participation of military equipment.

The news came good
As of May 9
Will pass through Red Square
Appliances fighting.

I remember a small baby
I got up at daybreak
And went with Dad to look at the technique
In May and November.

They traveled...
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Fishing Passion of the Christ on the Russian cross XVII-XIX centuries

Posted 02-04-2010 at 16:03 by OTROK NIKODIM (Pictures)

SV Gnutov
Fishing Passion of the Christ on the Russian cross XVII-XIX centuries
      The theme of this paper is to analyze the images of guns and scenes of the Passion of Christ on the Russian silver and metal crosses the second half of XVII - the first half of the XIX century. It was at this time in Russian art developed iconographic detail recension having connection with the history of the suffering Savior.

      Since the second half of XVII century...
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Good Friday.

Posted 02-04-2010 at 15:08 by OTROK NIKODIM (Pictures)

The Bible, as set out for family reading.
Good Friday
Jesus before Pilate. Condemnation of the Lord to death
 
Christ before Pilate
"When morning came, all the chief priests and elders of the people took counsel against Jesus to put him to death and they bound him and led him away and delivered him to Pontius Pilate the governor. Then Judas, his betrayer, seeing that he was condemned, and brought again the thirty pieces of silver to the chief priests and elders,...
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Icon and symbol

Posted 28-02-2010 at 19:20 by OTROK NIKODIM (Pictures)

Lepakhin V.

 
In various theories of symbol and symbolism was consolidated general view that the symbol - is the living unity of the object image and the deep meaning. That is why he has inexhaustibility internal content and is capable of transmitting the sacred, ineffable. But it is often overshadowed the question of what exactly causes a character (as opposed to a sign or allegory) is the living unity of ideas, meaning and objective way, and how the artist, house painter...
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