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Paintings of the Soviet period is full of brilliant names. Unfortunately, time is sometimes ruthlessly to the memory of the art formerly known authors. Example is the name of the prematurely departed in 1997 a full member of Arts, Honored Art Worker of the RSFSR Filatcheva Oleg Pavlovich (1937-1997). In 2007, academic halls Prechistenke an exhibition of his memory have included a pictorial and graphic works submitted by the artist's family. OP Filatchev better known as a muralist. He worked not only in the USSR but also abroad. Its walls were decorated with paintings of the USSR Embassy in Washington. Some radical citizens linked intravital success with "giperkonformizmom" mirovoreniya artist in relation to power. Leave on their conscience this statement. OP Filatchev entered the history of art as an artist reinterpreting dull aesthetics severe style, enriching it with new image-plastic language. Filatcheva favorite artists were painters of the early Renaissance. It was in this cultural-historical paradigm was the life-giving source of inspiration and creativity of the author of the landmark. Undoubted interest are the series of portraits of his contemporaries, executed in tempera on levkasnomu ground, as well as a magnificent series of graphic works dedicated to the fishermen to the north and military pilots.
Most of the heritage of the artist is included in the collections of major public museums. The market is practically no work of this author. In this regard, there is no information about the artistic heritage. But sorry. Yourself OP Filatcheva not so clearly understood in the context of the cultural perspective of artistic life in the USSR 70-ies. He himself, not only as a painter, but also as a person, were a type of universal and harmonious human era of great style.
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Russian "image", the Greek "icon" and western "image"

Posted 21-02-2010 at 15:04 by OTROK NIKODIM (Pictures)

In every language there are words (not many), which are intended to express the fundamental features of the national perception of the world. First and foremost among these are the words refer to the essence of creativity, artistic exploration of reality. For Russian, for example, is a way for the British - the image (image - «representation, embodiment, the statue, icon, image, reflection"). When word of such dignity penetrates from one language to another and begins to push its "native" match,...
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Alexander Merkulov

Posted 05-02-2010 at 18:54 by OTROK NIKODIM (Pictures)

Honored Artist RFSR

Eroica "is basically the northern theme is the best suited to the tasks of Soviet art and has found wide support from official criticism. Artists 1930 - 50-ies visited polar stations and industrial facilities under construction, participated in expeditions to the North and in the hostilities of the Northern Front. However, the theme of the conquest of the North never becomes purely ideological direction of the fine art of the USSR - the artists still fall under...
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Vladimir Shuko (1878-1939)

Posted 05-02-2010 at 18:45 by OTROK NIKODIM (Pictures)

member of the Academy of Fine Arts
(http://ru.wikipedia.org/wiki/%D0%A9%...2%D0 %B8%D1%87)

Architect of the two epochs at international exhibitions in 1911 in Rome and Turin's best and most beautiful architectural works were recognized as Russian pavilion. In Rome, among the great, the world's monuments was set rotunda - a round building under a dome with white...
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The American idea: the rise of before sunset

Posted 03-02-2010 at 19:46 by OTROK NIKODIM (Pictures)
Updated 03-02-2010 at 20:03 by OTROK NIKODIM

The Last Empire, Modernization, USA
The American idea: the rise of before sunset
Olga Vlasova, editor of World Policy Journal "Expert".

United States than any other country in the world pushed for modernization lagging countries up to a certain ideal of modernity, which is, of course, are the United States itself. But the idea is to follow the example of America has lost its appeal


The twentieth century was definitely the age of the United States...
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Sister John Reitlinger

Posted 03-02-2010 at 17:47 by OTROK NIKODIM (Pictures)

On John's sister

Cestra John - Julia Reitlinger - will eventually, when her work will be better recognized, preeminent place in the Orthodox icons of the twentieth century: first, it has made life in that starting from the XVIII century turned to crafts, if not a template craft. However, in the early twentieth century paintings religious quest Vasnetsov, Nesterov, Wrubel, and the discovery of a forgotten old Russian icons, and religious-philosophical understanding of it paved the...
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