Art XVII century
Posted 01-02-2011 at 12:47 by Владлен1234
Art XVII century
XVII century - a worldview coup, is the transition from unbounded faith and the glorification of man, from the representations, where the man was a hero at the center of dissonance rights and peace, and then to the new assertion of man as a particle of a huge, infinitely diverse and mobile world. Man - is not center of universe. It is located in a complex relationship with the media, government and society. The Renaissance sense of limitless power of man is lost, there is awareness of the limits of its capabilities, which are now correlated with the actual conditions of social life. Artistic culture has been linked with the realities of reality. These were new motifs and new form of the relationship of the image with reality. Man in the art of the XVII century stands in a more explicit relation to the circumstances of his life and the environment. The artist has a tendency to show some life phenomena - the landscape and still life. Vertex painting is a realistic portrait, which clearly shows the changes in the image of man. In the Renaissance man - a composite type, and the man in the XVII century in all its psychological complexity, ambiguity. Hence the appearance of portrait series, where the man is shown in different emotional states. Art culture is represented by two different art schools: Classicism and Baroque, as well as school vnestilevoy line in the development of art. Distinctive features of the Baroque - the mystic, fantastic, irrational, expressiveness, playfulness and a touchdown. Dominated by the religious, mythical and mystical motifs. Stylistic tricks - hyperbolic, effective and pathos. The greatness of the Renaissance gives way to the dynamics of the Baroque. The main ways of development of the art of the XVII century - Italian, Spanish, Flemish, Dutch and French schools. Article on the website www.v-protasov.ru
XVII century - a worldview coup, is the transition from unbounded faith and the glorification of man, from the representations, where the man was a hero at the center of dissonance rights and peace, and then to the new assertion of man as a particle of a huge, infinitely diverse and mobile world. Man - is not center of universe. It is located in a complex relationship with the media, government and society. The Renaissance sense of limitless power of man is lost, there is awareness of the limits of its capabilities, which are now correlated with the actual conditions of social life. Artistic culture has been linked with the realities of reality. These were new motifs and new form of the relationship of the image with reality. Man in the art of the XVII century stands in a more explicit relation to the circumstances of his life and the environment. The artist has a tendency to show some life phenomena - the landscape and still life. Vertex painting is a realistic portrait, which clearly shows the changes in the image of man. In the Renaissance man - a composite type, and the man in the XVII century in all its psychological complexity, ambiguity. Hence the appearance of portrait series, where the man is shown in different emotional states. Art culture is represented by two different art schools: Classicism and Baroque, as well as school vnestilevoy line in the development of art. Distinctive features of the Baroque - the mystic, fantastic, irrational, expressiveness, playfulness and a touchdown. Dominated by the religious, mythical and mystical motifs. Stylistic tricks - hyperbolic, effective and pathos. The greatness of the Renaissance gives way to the dynamics of the Baroque. The main ways of development of the art of the XVII century - Italian, Spanish, Flemish, Dutch and French schools. Article on the website www.v-protasov.ru
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