Painting
Posted 28-11-2010 at 11:26 by Владлен1234
Painting in Art
In the world of art history painting often took the leading place. This is her role was largely due to the fact that in no other art form can not pass the visible phenomena of the world, the image of man or nature so fully as in the painting. Moreover, the expression of the fullness of the external, visible world can open and profound inner meaning, and meaning of social phenomena, the spiritual life of man, his thoughts, feelings and aspirations. Why is it possible in painting such a fullness of transmission of external shape of the world and our perceptions. The answer suggests itself, because we all know that painting, unlike other art forms has a color as the principal, the principal means of expression of life, because in reality all that exists has its particular color, the color, a painting can be most fully convey this property matter. All other forms of art for the transfer of light and color in nature, but sometimes use paint as a material inferior to painting in the fullness, depth and accuracy of this transfer. True, the pictorial image associated with the plane, and in this sense it is too arbitrary and gives the sculpture, with specific tangible bulk form, but in sculpture, even a fully painted, the color depends on the lighting and so impermanent and changeable, while the painting remains thin nuances of color, seen and captured by the artist in the moment of highest creative take-off and inspiration. Thus, the color is an important means of painting, which distinguishes it from all other art forms. However, before proceeding to the analysis of this powerful and essential means of painting, it is necessary to dwell on the various techniques of performance art works and artists used painting materials. The most common oil painting. Their property to dry for several days, their strength can not only long-term work on the canvas without a significant change from drying, but infinitely varied to enjoy mixing colors and layering. The artist, a master technician of oil painting, can reach the most complex and subtle coloristic decisions. The basis for the oil painting is usually a linen canvas covered with adhesive or semi oily soil. But you can write in oils and other soils, wood, paper, covered with gelatin or glue on the iron, glass.
In general, there are two ways to work with oil paints: multilayer, calculated for a long time, and a quick, single - "alla prima". The old masters used the first method. The lower layer to paint, complicit in the White, so bright dense layer after it is dry deposited one on another thin layers of transparent paint. Because of this common color turns a rich and has a dense, dynamic texture. This technique, called the glaze, in conjunction with the letter case (opaque) colors can give a very rich coloristic effects. Painting "alla prima" allows you to fully reveal the temperament of an artist, a direct impulse of feeling. Hull and transparent paint are put out there, then mixed, and sometimes in some places the soil remains intact. This method created a special popularity in the century before the French Impressionists. There are paint, not oil, farmed, and water, and painting them in watercolor paints is called. Usually it negruntovannoy write on paper. This pure watercolor has no whitewash, which performs the role of white paper show through a transparent layer of paint. Therefore, the watercolor is different from other kinds of painting clarity and freshness of color, for making white lead in paint in all other forms of painting is always somewhat turbid, or, as painters say, Bleaching mixed color inks. Excellent owned classic watercolor techniques by overlaying several layers of paint in many Russian artists of the first half of the nineteenth century: K. Bryullov, AP Sokolov, F. Tolstoy, etc. But there is a technique when writing on wet watercolor paper. This technique requires speed and accuracy that used Soviet artists Tyrsa N., A. Fonvizin, V. Konashevich, Baltic wizard. Unlike watercolor and gouache bred water has a very thick consistency and a high density, so gouache paints do not have transparency, and gouache palette, there are always white. Frequently used in tempera painting, paint is diluted with water and cooked on casein - oil, egg, or a synthetic binding agent. Tem - an ancient technique of painting. Color it has an especially beautiful sound: dense color slightly "miss" the bottom layer, transparent paint fall sufficiently intense, the overall flavor of a little muted, velvety, full of calm, steady light. Work tempera complicated by the fact that rapidly dries, paint is no longer amenable to mixing. Therefore, in the temperature often write pure color, applying the glaze and modeling smooth tonal transitions strokes. Interest in this technique, used until the High Renaissance, recently re-grows. After drying, gouache and tempera paint some change their color, which to some extent makes it difficult to work with them or to require at least some experience in accounting for these changes. Less common painting pastel-colored chalk beautiful velvety soft tones. Pastels are usually written on a soft gray paper, or in rare cases, the suede. Lack of pastel-its free-flowing, so the works made in this material are reserved difficult. Watercolor, gouache and pastels often find graphics, rather than the art of painting, because they run on negruntovannoy paper-base material graphic arts. However, the specific means of painting-color-is equally fundamental, and in oil painting and watercolors, and gouache, etc. For many centuries there is a fresco painting. Colorful pigments diluted with water and applied to the raw plaster, which dries very firmly holds the paint layer. This kind of painting is used for painting walls. Used as a mosaic, in which instead of ink used pieces of smalt (glass alloys), marble, stone, enamel and ceramics. Mosaic, as well as fresco, basically refers to the monumental painting, intended to decorate homes and public buildings, palaces, railway stations, theaters, etc., although there are small mosaic paintings, portraits, still lifes. Despite the fact that, over time varied considerably stylistic features murals, easel painting with relatively the same period, it always seems to be more laconic, enlarged on the forms, less nuanced in color, which is associated with features of technology and perceptions of monumental painting. The nature of the binders and technology work depends largely on sound color, every kind of painting technique has its own special color impression. Thus, it is almost impossible to copy a sheet watercolor or oil paints with tempera and vice versa. The choice of equipment and material is preliminary and very important task of the painter, since it determines the possibility to meet its purpose. The website www.v-protasov.ru large collection of paintings
In the world of art history painting often took the leading place. This is her role was largely due to the fact that in no other art form can not pass the visible phenomena of the world, the image of man or nature so fully as in the painting. Moreover, the expression of the fullness of the external, visible world can open and profound inner meaning, and meaning of social phenomena, the spiritual life of man, his thoughts, feelings and aspirations. Why is it possible in painting such a fullness of transmission of external shape of the world and our perceptions. The answer suggests itself, because we all know that painting, unlike other art forms has a color as the principal, the principal means of expression of life, because in reality all that exists has its particular color, the color, a painting can be most fully convey this property matter. All other forms of art for the transfer of light and color in nature, but sometimes use paint as a material inferior to painting in the fullness, depth and accuracy of this transfer. True, the pictorial image associated with the plane, and in this sense it is too arbitrary and gives the sculpture, with specific tangible bulk form, but in sculpture, even a fully painted, the color depends on the lighting and so impermanent and changeable, while the painting remains thin nuances of color, seen and captured by the artist in the moment of highest creative take-off and inspiration. Thus, the color is an important means of painting, which distinguishes it from all other art forms. However, before proceeding to the analysis of this powerful and essential means of painting, it is necessary to dwell on the various techniques of performance art works and artists used painting materials. The most common oil painting. Their property to dry for several days, their strength can not only long-term work on the canvas without a significant change from drying, but infinitely varied to enjoy mixing colors and layering. The artist, a master technician of oil painting, can reach the most complex and subtle coloristic decisions. The basis for the oil painting is usually a linen canvas covered with adhesive or semi oily soil. But you can write in oils and other soils, wood, paper, covered with gelatin or glue on the iron, glass.
In general, there are two ways to work with oil paints: multilayer, calculated for a long time, and a quick, single - "alla prima". The old masters used the first method. The lower layer to paint, complicit in the White, so bright dense layer after it is dry deposited one on another thin layers of transparent paint. Because of this common color turns a rich and has a dense, dynamic texture. This technique, called the glaze, in conjunction with the letter case (opaque) colors can give a very rich coloristic effects. Painting "alla prima" allows you to fully reveal the temperament of an artist, a direct impulse of feeling. Hull and transparent paint are put out there, then mixed, and sometimes in some places the soil remains intact. This method created a special popularity in the century before the French Impressionists. There are paint, not oil, farmed, and water, and painting them in watercolor paints is called. Usually it negruntovannoy write on paper. This pure watercolor has no whitewash, which performs the role of white paper show through a transparent layer of paint. Therefore, the watercolor is different from other kinds of painting clarity and freshness of color, for making white lead in paint in all other forms of painting is always somewhat turbid, or, as painters say, Bleaching mixed color inks. Excellent owned classic watercolor techniques by overlaying several layers of paint in many Russian artists of the first half of the nineteenth century: K. Bryullov, AP Sokolov, F. Tolstoy, etc. But there is a technique when writing on wet watercolor paper. This technique requires speed and accuracy that used Soviet artists Tyrsa N., A. Fonvizin, V. Konashevich, Baltic wizard. Unlike watercolor and gouache bred water has a very thick consistency and a high density, so gouache paints do not have transparency, and gouache palette, there are always white. Frequently used in tempera painting, paint is diluted with water and cooked on casein - oil, egg, or a synthetic binding agent. Tem - an ancient technique of painting. Color it has an especially beautiful sound: dense color slightly "miss" the bottom layer, transparent paint fall sufficiently intense, the overall flavor of a little muted, velvety, full of calm, steady light. Work tempera complicated by the fact that rapidly dries, paint is no longer amenable to mixing. Therefore, in the temperature often write pure color, applying the glaze and modeling smooth tonal transitions strokes. Interest in this technique, used until the High Renaissance, recently re-grows. After drying, gouache and tempera paint some change their color, which to some extent makes it difficult to work with them or to require at least some experience in accounting for these changes. Less common painting pastel-colored chalk beautiful velvety soft tones. Pastels are usually written on a soft gray paper, or in rare cases, the suede. Lack of pastel-its free-flowing, so the works made in this material are reserved difficult. Watercolor, gouache and pastels often find graphics, rather than the art of painting, because they run on negruntovannoy paper-base material graphic arts. However, the specific means of painting-color-is equally fundamental, and in oil painting and watercolors, and gouache, etc. For many centuries there is a fresco painting. Colorful pigments diluted with water and applied to the raw plaster, which dries very firmly holds the paint layer. This kind of painting is used for painting walls. Used as a mosaic, in which instead of ink used pieces of smalt (glass alloys), marble, stone, enamel and ceramics. Mosaic, as well as fresco, basically refers to the monumental painting, intended to decorate homes and public buildings, palaces, railway stations, theaters, etc., although there are small mosaic paintings, portraits, still lifes. Despite the fact that, over time varied considerably stylistic features murals, easel painting with relatively the same period, it always seems to be more laconic, enlarged on the forms, less nuanced in color, which is associated with features of technology and perceptions of monumental painting. The nature of the binders and technology work depends largely on sound color, every kind of painting technique has its own special color impression. Thus, it is almost impossible to copy a sheet watercolor or oil paints with tempera and vice versa. The choice of equipment and material is preliminary and very important task of the painter, since it determines the possibility to meet its purpose. The website www.v-protasov.ru large collection of paintings
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