Винтажные и старинные предметы интерьера..
Young artists .......
Запись от Евгений размещена 03.06.2009 в 10:48
From the blog A. Salakhova.
"... Fell into the hands of young artists exhibition catalog members Moschus, read the article Chegodaeva, read ...... I think all members of our union relevant contemporary art will be curious to read ....."
---------------------------------------------
"The young artist, graduated from the Art Lyceum, Art Institute can not help thinking about how to fold it a creative destiny, what it will take place in contemporary art. Our life, including art and life is changing so rapidly that no one will dare to predict what will happen to us - "us that if - that will be in twenty years" - as he sang Andrew Makarevich.Na today (if not to address the problems of applied art, scenography, design - are special areas of artistic activity requiring special consideration ) I see five ways that can impose upon itself a young artist, primarily a painter and graphic easel.
1.Pervy way: to use all taught in high school and the institute, to work without further ado, in the traditional spirit, worked as a teacher - Russian realists, good painters and draughtsmen. Assure: professionally made watercolors and oil would be found and admirers and buyers, even abroad.
2.Vtoroy way - and the most traditional, and very new for us - the church painting, participate in the restoration and establishment of church buildings. Here, too, needed a real skill, good command of technology, knowledge of traditions - ancient Russian icon painting, church painting of the XIX century. Unfortunately, some artists, restoring or re-raspisyvaya churches have resorted to stylization, coldly repeating the old canons and samples. But faith in God, sense of responsibility and the importance of his case could lead to new acquisition, and real success. We can recall such examples of modern religious art as a mosaic of the Transfiguration Cathedral in Tushino Kornoukhov, to name artists - Mukhina, Maximova, Starzhenetskaya, Dm.Alimova Ivan Shakhovsky and other masters, including the young, whose work commands respect and inspires hope: religious, Church painting one of the surest ways out of the crisis of contemporary art.
3.Trety way - the most seductive and most insidious - the so-called. "Actual art. His determined we have such names as Kulik, group "Blue Noses"
Osmolovskii, Ter-Oganyan, ideologues, Marat Gelman, Yerofeyev, Sviblova, etc. In all, it would seem, the formal differences, "aktualschiki" united in one thing: they think it possible to declare a "fine art" of anything: any object, a remake of the action ( "action") and photos of "shares", video, computer file, and finally, the complete absence of anything (empty album pages, etc.) The product as such, does not matter - it is important to verbal interpretation, "mesedzh" (message ), which the artist himself or his speech-writer "- the art place! viewer. Young avtorsha presented at the Moscow "Biennale" Velcro from adhering to them dead flies. Well-known radio commentator Yakov Krotov declared this "project" a symbol of impermanence vsegs world, equal to the wisdom of Ecclesiastes.
"Mesedzh" substitute for the product - that his verbal explanation, perception, sensation - the ideologists of "modern art" proclaim the modern art, though completely removes and replaces paintings, graphics, sculpture. "Traditional" art, that is, in fact, they contemptuously art enroll in "marginal", "outdated," write off "the ship of modernity" as not worthy of any exhibition in the museum's Department of Modern Art, no broad funding, no representation at international biennials.
"Actual art and fine art in fact, completely different types of activities requiring different orientation of the mind and, consequently, different forms of learning. It is obvious that "contemporary art" does not need such qualities as talent, vocation, the human capacity for artistic creativity. You do not need any professional skill, and, respectively, and the professional art education. So no need to spend years mastering the figure painting, perspective, anatomy, technology, etc. - should be developed in a very different quality: the ability to think up something "stunning", something that even before the "me" no one tried to think and interested in their "project" curators "image makers" that it "will announce the art" sponsors who will fund it, managers, auctioneers, which drive up its sales price. This way offend the opportunity to break into the world art market, to gain world fame. Which young artist does not want to pass for new, modern, good! The danger is that the artist is completely dependent on supervisors, managers, art historians: it can be added to the list of "topical", "roll out" and sell for big money, but may in fact and delete "from the list, which means for Artist total catastrophe. End. Nothingness. Velcro with dead flies, if the "ideologues" do not declare their "art", not proclaim the "impermanence of all earthly things, equal to the wisdom of Ecclesiastes," and are just Velcro from railway station buffet, filth, which, used, thrown in the trash. That will happen and author of the project "...
4. The fourth, also a very tempting "market" path - "natssalon. Its leading figures of the "classics" Glazunov, and Shilov, "young" Nikas Safronov, Mikhail Satarov, Vasily Nesterenko et al ideologists natssalona "I personally do not know, but they do not need it, the artists of this trend rather servile critics ready to write ( Naturally, for good money) enthusiastic introductory article in their album. The visitors 'portraits' of the powerful and their ladies, "beautiful" pictures intended to decorate their interiors, murals of the palaces and villas make up a vast field of contemporary artistic activities, served for many artists, including the young, the main form of income. For this kind of art requires some professional qualities - a sense of composition and the like, but to acquire a true professional, technique of old masters, and so absolutely necessary. Unlike the "old" saloon, excellent professional who owned the craft for the modern interior importantly - the ability to master not brush, and a computer. Technical capabilities of modern equipment that you can enjoy not only the semblance of watercolors, engravings, etc., but also an oil painting on canvas. There is great art work and lay the computer color photograph of Alla Pugacheva and the computer is to mount it "something - that mystical": candles, signs of the Zodiac, etc. (portrait of Michael Satarova). Can and simitirovat something "Shishkino" or "AYVAZOVSKOE - like, lacquered, insert a gorgeous frame and" solder "the buyer for a good price. The range of natssalona - from the transition from the Park of Culture, where each "ordinary mortal" may be a few thousand to buy a pretty peyza-EA Petrzhik with birch trees, "cats" or the spicy "nude" to care for the millions of Bryntsalov and the like. As for the paintings of villas and palaces of the "new Russian", then I know a good, capable guys who earn a living, raspisyvaya, at the request of the customer's helluva lot of enlightened his kitchen no more, no less, as ... stanza Raphael. Another Novorussky "expert" wanted to have in his palazzo on the ceiling Rublevke Veronese. Boys carefully and quite skillfully copied the great models - whether they are allowed to copy anything as an artist, very much doubt. As for the money, then they have not much: "new Russian" Spongers, no search, and the artists working on them are viewed with disdain as the servants.
5. And finally, the fifth path - bumpy, regardless of career and material prosperity - the road to yourself, striving to express in his art by means of art and force of his talent and skill of their feelings, their pain, their anxieties and hopes. Here we have to be ready for anything.
And the fact that your art will bring you higher returns, did not join the world of "Fashion" and secular "hangouts": for the latter-day "masters of life" free independent artist - someone is weird, strange, even dangerous.
And the fact that the ideologists of "modern art" will announce you "dead" useless "old" (market competition is merciless, and the worst competitor for "modern art" - this works).
And the fact that "general public" you will not understand, if not understood in his lifetime almost the majority of those who ventured to swim against the tide - from Rembrandt and to Daumier, Manet, van Gogh, Tatlinv ... But only in this way - selfless altruistic creativity, you can create, how to create great artists of the new school in the arts, to find their unique character, its own - unfortunately, often posthumously, but the true glory ... And there - decide. "
http://aidansalakhova.livejournal.com/1179.html
-------------------------------------------
Maria Chegodaeva
Born 19.01.1931 in Moscow.
Lives and works in Moscow.
Art historian and art critic. In 1956 she graduated from Moscow State Art Institute. VISurikova.
Author of books on contemporary artists: "Vladimir Minaev" (Moscow, 1975), "Benjamin Basov (Moscow, 1983)," Book Arts of the USSR "in 2 vols (Moscow, 1983)," Ways and outcomes " (Moscow, 1989), "Kitsch, kitsch, kitsch" (Moscow, 1990), "Alexei Shmarinov" (Moscow, 1992), "Art, which was" (Moscow, 1997), "Dementiy A. Shmarinov" (Moscow, 1997), "Gregory Benetsionovich Inger. My Childhood" (Moscow, 1997).
Corresponding Member of the Russia Academy of Arts (1997). Candidate of Art (1986).
Member of the Russia Academy of Arts (2001).
Member of the Presidium of the Russia Academy of Arts (2005).
Doctor of Art (2005). http://www.rah.ru/content/ru/main_me...12-11-22-17-18.
html
Maria Chegodaeva
"... Fell into the hands of young artists exhibition catalog members Moschus, read the article Chegodaeva, read ...... I think all members of our union relevant contemporary art will be curious to read ....."
---------------------------------------------
"The young artist, graduated from the Art Lyceum, Art Institute can not help thinking about how to fold it a creative destiny, what it will take place in contemporary art. Our life, including art and life is changing so rapidly that no one will dare to predict what will happen to us - "us that if - that will be in twenty years" - as he sang Andrew Makarevich.Na today (if not to address the problems of applied art, scenography, design - are special areas of artistic activity requiring special consideration ) I see five ways that can impose upon itself a young artist, primarily a painter and graphic easel.
1.Pervy way: to use all taught in high school and the institute, to work without further ado, in the traditional spirit, worked as a teacher - Russian realists, good painters and draughtsmen. Assure: professionally made watercolors and oil would be found and admirers and buyers, even abroad.
2.Vtoroy way - and the most traditional, and very new for us - the church painting, participate in the restoration and establishment of church buildings. Here, too, needed a real skill, good command of technology, knowledge of traditions - ancient Russian icon painting, church painting of the XIX century. Unfortunately, some artists, restoring or re-raspisyvaya churches have resorted to stylization, coldly repeating the old canons and samples. But faith in God, sense of responsibility and the importance of his case could lead to new acquisition, and real success. We can recall such examples of modern religious art as a mosaic of the Transfiguration Cathedral in Tushino Kornoukhov, to name artists - Mukhina, Maximova, Starzhenetskaya, Dm.Alimova Ivan Shakhovsky and other masters, including the young, whose work commands respect and inspires hope: religious, Church painting one of the surest ways out of the crisis of contemporary art.
3.Trety way - the most seductive and most insidious - the so-called. "Actual art. His determined we have such names as Kulik, group "Blue Noses"
Osmolovskii, Ter-Oganyan, ideologues, Marat Gelman, Yerofeyev, Sviblova, etc. In all, it would seem, the formal differences, "aktualschiki" united in one thing: they think it possible to declare a "fine art" of anything: any object, a remake of the action ( "action") and photos of "shares", video, computer file, and finally, the complete absence of anything (empty album pages, etc.) The product as such, does not matter - it is important to verbal interpretation, "mesedzh" (message ), which the artist himself or his speech-writer "- the art place! viewer. Young avtorsha presented at the Moscow "Biennale" Velcro from adhering to them dead flies. Well-known radio commentator Yakov Krotov declared this "project" a symbol of impermanence vsegs world, equal to the wisdom of Ecclesiastes.
"Mesedzh" substitute for the product - that his verbal explanation, perception, sensation - the ideologists of "modern art" proclaim the modern art, though completely removes and replaces paintings, graphics, sculpture. "Traditional" art, that is, in fact, they contemptuously art enroll in "marginal", "outdated," write off "the ship of modernity" as not worthy of any exhibition in the museum's Department of Modern Art, no broad funding, no representation at international biennials.
"Actual art and fine art in fact, completely different types of activities requiring different orientation of the mind and, consequently, different forms of learning. It is obvious that "contemporary art" does not need such qualities as talent, vocation, the human capacity for artistic creativity. You do not need any professional skill, and, respectively, and the professional art education. So no need to spend years mastering the figure painting, perspective, anatomy, technology, etc. - should be developed in a very different quality: the ability to think up something "stunning", something that even before the "me" no one tried to think and interested in their "project" curators "image makers" that it "will announce the art" sponsors who will fund it, managers, auctioneers, which drive up its sales price. This way offend the opportunity to break into the world art market, to gain world fame. Which young artist does not want to pass for new, modern, good! The danger is that the artist is completely dependent on supervisors, managers, art historians: it can be added to the list of "topical", "roll out" and sell for big money, but may in fact and delete "from the list, which means for Artist total catastrophe. End. Nothingness. Velcro with dead flies, if the "ideologues" do not declare their "art", not proclaim the "impermanence of all earthly things, equal to the wisdom of Ecclesiastes," and are just Velcro from railway station buffet, filth, which, used, thrown in the trash. That will happen and author of the project "...
4. The fourth, also a very tempting "market" path - "natssalon. Its leading figures of the "classics" Glazunov, and Shilov, "young" Nikas Safronov, Mikhail Satarov, Vasily Nesterenko et al ideologists natssalona "I personally do not know, but they do not need it, the artists of this trend rather servile critics ready to write ( Naturally, for good money) enthusiastic introductory article in their album. The visitors 'portraits' of the powerful and their ladies, "beautiful" pictures intended to decorate their interiors, murals of the palaces and villas make up a vast field of contemporary artistic activities, served for many artists, including the young, the main form of income. For this kind of art requires some professional qualities - a sense of composition and the like, but to acquire a true professional, technique of old masters, and so absolutely necessary. Unlike the "old" saloon, excellent professional who owned the craft for the modern interior importantly - the ability to master not brush, and a computer. Technical capabilities of modern equipment that you can enjoy not only the semblance of watercolors, engravings, etc., but also an oil painting on canvas. There is great art work and lay the computer color photograph of Alla Pugacheva and the computer is to mount it "something - that mystical": candles, signs of the Zodiac, etc. (portrait of Michael Satarova). Can and simitirovat something "Shishkino" or "AYVAZOVSKOE - like, lacquered, insert a gorgeous frame and" solder "the buyer for a good price. The range of natssalona - from the transition from the Park of Culture, where each "ordinary mortal" may be a few thousand to buy a pretty peyza-EA Petrzhik with birch trees, "cats" or the spicy "nude" to care for the millions of Bryntsalov and the like. As for the paintings of villas and palaces of the "new Russian", then I know a good, capable guys who earn a living, raspisyvaya, at the request of the customer's helluva lot of enlightened his kitchen no more, no less, as ... stanza Raphael. Another Novorussky "expert" wanted to have in his palazzo on the ceiling Rublevke Veronese. Boys carefully and quite skillfully copied the great models - whether they are allowed to copy anything as an artist, very much doubt. As for the money, then they have not much: "new Russian" Spongers, no search, and the artists working on them are viewed with disdain as the servants.
5. And finally, the fifth path - bumpy, regardless of career and material prosperity - the road to yourself, striving to express in his art by means of art and force of his talent and skill of their feelings, their pain, their anxieties and hopes. Here we have to be ready for anything.
And the fact that your art will bring you higher returns, did not join the world of "Fashion" and secular "hangouts": for the latter-day "masters of life" free independent artist - someone is weird, strange, even dangerous.
And the fact that the ideologists of "modern art" will announce you "dead" useless "old" (market competition is merciless, and the worst competitor for "modern art" - this works).
And the fact that "general public" you will not understand, if not understood in his lifetime almost the majority of those who ventured to swim against the tide - from Rembrandt and to Daumier, Manet, van Gogh, Tatlinv ... But only in this way - selfless altruistic creativity, you can create, how to create great artists of the new school in the arts, to find their unique character, its own - unfortunately, often posthumously, but the true glory ... And there - decide. "
http://aidansalakhova.livejournal.com/1179.html
-------------------------------------------
Maria Chegodaeva
Born 19.01.1931 in Moscow.
Lives and works in Moscow.
Art historian and art critic. In 1956 she graduated from Moscow State Art Institute. VISurikova.
Author of books on contemporary artists: "Vladimir Minaev" (Moscow, 1975), "Benjamin Basov (Moscow, 1983)," Book Arts of the USSR "in 2 vols (Moscow, 1983)," Ways and outcomes " (Moscow, 1989), "Kitsch, kitsch, kitsch" (Moscow, 1990), "Alexei Shmarinov" (Moscow, 1992), "Art, which was" (Moscow, 1997), "Dementiy A. Shmarinov" (Moscow, 1997), "Gregory Benetsionovich Inger. My Childhood" (Moscow, 1997).
Corresponding Member of the Russia Academy of Arts (1997). Candidate of Art (1986).
Member of the Russia Academy of Arts (2001).
Member of the Presidium of the Russia Academy of Arts (2005).
Doctor of Art (2005). http://www.rah.ru/content/ru/main_me...12-11-22-17-18.
html
Maria Chegodaeva
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