ARTIST GEORGY LAPSHIN
BEYOND-ОДАРЕННЫЙ RUSSIAN ARTIST
1906 the year of the artist Georgy Lapshin held in Paris... Is this fact their own deeply symbolic metaphysics. At that moment, passed through the revolutionary upheaval of social consciousness Russia intuitively sought to find social-политическое balance, how to organically combine the conservative views of one part of society with the advanced ideas of the other.
a Series of still lifes
Well, for us the primary interest is his amazing landscapes. Creations Georgy — is always a unique atmosphere, unique mood of each new leaf. Or rather — those masterful techniques, which frankly is not rich in details of objects in paintings to achieve a strong emotional effect.
To better understand this" эмфатической mechanics" refer to the still lifes brushes Lapshin. Please note, dear reader, what a contrast are the numerous, carefully" выписанные"," подробные" elements floral compositions in comparison with simple" срезами reality", which is essentially a landscape of the wizard. On the one hand, the painter gives us the ability indefinitely to enjoy the fragrant blossoms" гуляя" look at the intricacies of the thousands of colors, shades and shapes.
*
But is our perception to face with a wide, bold strokes and desperately-смелыми combination of colors, and it immediately creates a sense of variation," неустойчивости" the composition as a whole. The subconscious instantly allocates to us the key objects in the space of the canvas and then signals" нехватке" visual dominants for a more complete experience. That"s what happens to everyone who throws first a quick look at something, took possession of our attention, and is the very first and early, but because — the freshest and the thrill of what he saw.
the Artist, therefore, is able to give the viewer the novelty of the impressions from the contemplation of streets, squares, parks and promenades, which can be long-familiar to him. Those who for the first time in his life he depicted the panorama, it allows you to feel not a static observer, but as if alive and moving element of the composition. Because in life, we rarely freeze for tens of minutes to admire the domes of the old Church beside the wrecked runners winter tract or game wind replusive foliage of the chestnut trees on Paris streets.
" Русский landscape"
" Венеция"
Is not just a world, seen and brought to the canvas through the efforts of the painter; here forever settled and every time I re-experienced priceless moments whose-то first meeting of breakups, gained confidence or lost illusions a million shades of different feelings. Impressionism Lapshin — swift," дышащий" and timeless.
- Регистрация 08.07.2010
- Сообщений 0
- Записей в дневнике 12,238
-
-
Категории дневника
Локальные категории -
Последние посетители
 |