the Artist Sergey Arsenievich Vinogradov could not get past people"s threads though, because he was born and raised in the village of Great Salt Kostroma province.
her childhood friend, the life of the peasantry, combined with a surprisingly clear and sincere style of writing defined the basic subjects of creativity, the author found the most complete reflection on the canvases of the artist. Moving to the Ukraine in 1890, the most favorable impact on the work of Vinogradov. The bright southern sun, steppes and distinctive flavor immediately appeared on his canvases, adding hints of impressionism in a deeply realistic stories.
Incredibly, the famous" Бабы (Girlfriend)", written in 1892-1893 gg in Kharkov to a travelling art exhibition, twenty-three belong to the brush of a talented artist. A Mature perception of life and evaluation of the event is enhanced by a mastery of composition and light, and all together creates the effect of living presence.
Two women, become sad on a broad bench in the yard occupy most of the space of the canvas and inevitably attract all the attention. Brown from a tan face, bright handkerchiefs on their heads@the semicolon simple linen clothing, modestly decorated with colorful Ukrainian embroidery; worn, size large shoes on the feet, – all poor, old and sad. In them there is no beauty, no energy, nothing that we usually think of as high art. Work-worn old age with calloused hands and dotted with deep wrinkles individuals do not cause anything but pity and desire to escape from the boring plot.
all-же what-то makes you stop to consider the scene carefully. Still not conscious, but reflected the subconscious parts of the canvas are added to the anticipation of a meeting with a masterpiece. For example, the poses of the women. The one on the right leaned forward and placed crossed hands on his knees. White shirt and dark-коричневая the upper skirt make the figure contrasting against the woman in white Suite smelled right. The second woman sits erect, resting his left hand cheek, as if another second – and have a sad song, and the first thought, will pick up with the same indifferent expression.The old woman settled on the middle bench, close to each other, as if freeing up space someone else-то, lost in the fog of their memories. Next to the woman in the Suite is perched a small red knot – a sure sign of a long road. Where are you going old woman? Long breaks up with his girlfriend? Pensive and sad facial expressions; sadness about the past and anxiety about what lies ahead, more hump back." Жизнь my, did I dream you?"
But the bright light literally to flood the edges of the picture, shaky from the heat of the sultry air, the waves receding into the canvas, connect in a powerful life-affirming chord. Life goes on@the semicolon in this life there are white old house with a thatched roof, withered from the heat the leaves and herbs@the semicolon is fresh linen, which deft hand of a young woman hung in the courtyard@the semicolon is, finally, the steppe, fleeing over the horizon. And old age, written in the background of the living pulsating present, does not seem so doomed. She is real, even if referring to the past.
Source ➝
https://art.mirtesen.ru/blog/43784176579/Hudozhnik...nevich-Vinogradov-prosto-zhizn
