THE ARTIST KARL PETROVICH BRUHL

Most famous paintings of Bryullov, for which he was nicknamed" Карлом Great"

Sure picture Karl Pavlovich Bryullov known to everyone at school." Последний days of Pompeii"," Итальянский noon" and other paintings imbued with real emotions, feelings, expression. Unlike many other artists Bryullov was chosen Nudes not among the fragile effete models. His heroines became the girl real life with all their advantages and disadvantages. Not all contemporaries immediately agree with such innovation, but over time, Bryullov gained worldwide recognition, and he began to call" Карлом Великим".

a self-Portrait. Karl Briullov, 1834. | Photo: photo.sibnet.EN.

Karl Briullov was born in 1799. In his childhood he was very sickly boy and not get out of bed. But this fact did not stop his father, Paul Brullo, who decided to teach his son painting. Every day the child is given the task: to draw animals, people, or natural motifs. And while Carl could not cope with the task, he did not receive Breakfast.

10-летнем age Carl Brullo was enrolled in the St. Petersburg Academy of arts, where he studied for 12 years. The boy brilliantly coped with any of the task entrusted to it and for that in 1822 he received a pensioner"s stipend for four years, which included training in Italy. Before leaving, Carl got permission from the Emperor to add to his surname the letter" в", it was clear to all where the artist hails.

Italian midday. Karl Briullov, 1827. | Photo: obzorfoto.EN.

Italy won the young artist. In 1827, the artist painted a picture" Итальянский noon", the model for which was pretty dense Italian. In Russia, this painting took very cold, because it didn"t fit the fashion trends of the time. Critics have called the model" несоразмерной", and Bryullov went to the scandal of the Imperial society for the encouragement of arts.

Portrait of Countess Yu. p. Samoilova departing from the ball with a pupil Amalia Pacini. K. Bryullov, 1842 | Photo: static.biblioclub.EN.

In 1827, in Italy, Karl Bryullov met Countess Yulia Pavlovna Samoilova. The artist won an incredible Mediterranean beauty, intelligence and grace of this woman. The Countess was frequently the model for the paintings of Bryullov. The picture" Портрет Countess Y. P. Samoilova departing from the ball with a pupil Amalia Pacini" incredible paint, lavish costumes only emphasized the beauty of his Muse.

In 1830 Karl Bryullov together with the Countess Samoilova went to the ruins of Pompeii and Herculaneum. Two years before this, there was another eruption of Vesuvius, so interested in architecture when it was fashionable.

the Last days of Pompeii. K. Brullov, 1830-1833 years Photo: journal-files7.foto.ua.

work on the painting that made him world-famous, Bryullov began ordering patron Anatoly Demidov. Before you begin writing the paintings, the artist studied many historical documents about Pompeii and made a lot of sketches from the event.

the Last days of Pompeii. Fragment. Photo|: savepic.org.

the People in the painting Karl Briullov painted and emotionally. He sealed himself there as a painter, traveling with the drawing utensils. Julia Samoylova, you can also find on the canvas. It is represented there in the three images: woman with jug on head, mothers trying to protect their daughters and his dying on the pavement.

the Last days of Pompeii. Fragment. | Photo: s-media-cache-ak0.pinimg.com.

In Rome" Последний days of Pompeii" has received very flattering criticisms, after which the picture was sent to the Louvre in Paris. In 1834, the picture reached St. Petersburg, where he created quite a stir. The Emperor Nicholas I wished to see the painting, and then was awarded Karl Briullov.

Bathsheba. K. Bryullov, 1832. | Photo: artpoisk.info.

No less symbolic painting of the painter was" Вирсавия". To Bryullov Russian artists haven"t applied to the Nude. Bryullov also, inspired by the success of" Последнего days of Pompeii", decided to write the picture in a new genre. He took the biblical story of Bathsheba, bathing which saw king David.

Few years the artist worked on the painting. Critics have called her" сладострастной and brilliant colors". The artist realized that he was not able to convey to the intended audience, and even once threw in the picture of the boot. Bryullov did not finish the painting remained unsaved brushes beauty. In this form" Вирсавию" bought patron and sent it to the Tretyakov gallery.

Rider. K. Bryullov, 1832. | Photo: webstarco.narod.EN.

Among critics, raises many questions picture K. Briullov" Всадница". The researchers are still arguing about who is really depicted on it:CONTINUE to FOLLOW - CLICK ON BOLD TEXT!

Source: https://kulturologia.EN/blogs/141216/32624/