Теоретические основания граммарнацизма
Запись от Гор Чахал размещена 23.04.2014 в 00:21
Обнаружил случайно теоретические основания движения граммарнаци.
«Орфография и Ортодоксия». (Харви Гольдблат, 1987).
"The Hesychasts' thesis regarding the light on the mount of transfiguration helps us better understand the profound link between their devotional practice and their linguistic doctrine. More specifically, it helps elucidate the pervasive emphasis in the SKAZANIE on orthographic purity and the preeminence given to the graphic representation of language. According to Constantine, the slavic letters are "divine", for they are not intermediary symbols but direct manifestations of the divine presence which has been extended to man through the deifying action of Grace. Because there exists an immediate connection between the letters as revealed signs and the principle of rationality present with God, every "orthograph" becomes a visible representation of a divine World. By displaying its heavenly prototype, each graphic sign becomes a component part of the "scale" of perfection which accords man the possibility of ascending toward the source of supreme truth" (Goldblatt H. Orthography and Orthodoxy).
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«Орфография и Ортодоксия». (Харви Гольдблат, 1987).
"The Hesychasts' thesis regarding the light on the mount of transfiguration helps us better understand the profound link between their devotional practice and their linguistic doctrine. More specifically, it helps elucidate the pervasive emphasis in the SKAZANIE on orthographic purity and the preeminence given to the graphic representation of language. According to Constantine, the slavic letters are "divine", for they are not intermediary symbols but direct manifestations of the divine presence which has been extended to man through the deifying action of Grace. Because there exists an immediate connection between the letters as revealed signs and the principle of rationality present with God, every "orthograph" becomes a visible representation of a divine World. By displaying its heavenly prototype, each graphic sign becomes a component part of the "scale" of perfection which accords man the possibility of ascending toward the source of supreme truth" (Goldblatt H. Orthography and Orthodoxy).
Ссылка на оригинал
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