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Essay for philosophizing art

Запись от Магнолия размещена 16.05.2012 в 09:36
Обновил(-а) Магнолия 08.02.2013 в 00:18

     You love September, autumn spring? I am! Still warm. Rested over the summer, students greet each other, share experiences and news. Before the exams far. Carefree, smiling faces. Missed lectures are not worried, and more workshops are like bees, than to stressful meetings with holders zachetok. Educational process gently gaining cognitive height. Familiar exercise program is not tiring, and fresh material only adorns page synopsis of the native "branches" inserts. Cargo sessions and meetings are not saved, and in the evenings you can, slowly, to reflect on their own research.

     The article F.Ternera and E.Peppelya "Poetry, the brain and the Time", published in the book "" Beauty and the brain. Biological aspects of aesthetics, "the authors write:" In <models of the world> all must fit into a system, and it is explained. <...> The naturalists describe such a system epititami such as "elegant", "powerful", sometimes even "beautiful", artists and philosophers and add more such as "adequate", "true", "correct." It all possible values ​​of the Greek word kalos. //If the above trend - really the result of some kind of intrinsic motivation, according to the theory of reinforcement, it is such a tendency, for acts which the brain itself rewards. If we had opened techniques, allowing to stimulate this internal system of self-promotion and to increase its sensitivity, we were able to greatly increase the synthetic power of his mind. "This quote is used in my work," The Evolution of Rights "when considering the scientific and philosophical opinions about creative recycling of information. now interested me, co-author of "Poetry, brains and time" Turner suggested naming ability kalogennostyu creation, meaning that the product meets certain system works, characterized by the Greek word kalos. should be noted that, along with textual information kalogennost inherent in all possible forms of physical world, was subject to the methods of expression without the use of letter codes natural principles. Instruments contemplative warning signs is considered to be the senses, including the aesthetic. It works beautiful, sculptural, architectural and similar character; apart is the art of theater mime, gesture and dance, advanced to the ballet.
     Synergistic teams of scientists have come close to the idea that the neural organization of the human brain, kvazirazdelennaya into two parts, an evolutionary set mainly on two sources of knowledge - the light and sound, which spawned the main ways of perception: contemplation and hearing. Nature sounds and music can provide an emotional impact, and create the appropriate images, but a self-sufficient life-support force did not. It became the language of communication of grammar, which gradually evolved through hearing and the ability to issue necessary sounds manageable. Wittgenstein your tongue recognizes only one significant feature - the creation of the world picture. This function is not obvious, but it can show the analysis of words into its phonemes. The light source of knowledge and vision service act. They also function as communication. Here the word "act" should be defined as the combination of reasonable actions which result in visual awareness, to obey the laws of universal grammar of aesthetic communication.
   Aesthetic and linguistic grammar communication equilibrium supporting each other for centuries nurtured in people amazing quality, called "intelligence." Unlike intelligence from ordinary sense perception is reasonable capture systemic linkages of natural principles. They direct the development of the track formation of the mind. "Just as there is, apparently, a universal language grammar, there must be a universal grammar as aesthetic - at the heart of both should be based neural organization of the human brain," - said G.Paul in "Philosophical theories of beauty and brain research ". It's about intelligence Gumilev told as witchcraft nature:

No human speech
Buzzing desert wind
And not in a human fatigue
We usher in the evening.

No, in these slow, inert
The Transfiguration of nature -
Pledge of immortality to mortals,
Initial word.
          N.Gumilev. "Nature"

   Already a lot said about the maturation of the individual intelligence in a daily cycle of life. But what happens in the other, the whole people, scale? By the third millennium was the obvious fact of mutual misunderstanding, even among monolingual people. Hence the rejection and aggression to each other, and therefore a sense of danger and oppressive anxiety. The reason was the fragmentation of information on substantive grounds. In medicine, engineering, law, trade ... the specificity of information. Its productivity was threatening language communication because narastyuschego distrust intentionally wrong, wrong information, because it is impossible to combine the known authentic form. As a result, politicians have not heard of the Gnostics and philosophers, politicians, scientists do not heed, they both do not understand the religious preachers. All together not find a common language in the choice of the path of development.
   The loss of faith in the power of speech, one of the first to speak of Hugo von Hofmannsthal, Franz Kafka, Karl Kraus, Fritz Mauthner. The review Bartley read, "Hofmannsthal believed that it becomes a means of communication, but a way of concealing thoughts and nonsense. <...> Kafka wrote in his parables of the messengers of the king, who toss around the world with proclamations that have no meaning. Energetic Karl Kraus alone pointedly attacked all Austrian newspapers and magazines <...> Mautner doubted whether the language to be a reasonable means of communication. All these writers <...> agreed on the fact that it contains a large number of incorrect uses. <...> Hofmannsthal wrote not simply a mismatch, but the causes resentment obscene talk, and especially talking about politics, literature and aesthetics. <...> It was like in a vice thought strangles concept. There is hardly a who somewhere, who can say in his own that he understands and does not understand, to express what he feels, and what does not feel. This is now aroused great love for all kinds of art, do not use it ... " This love shows and economics. For all to see the classical works of art turned into an international currency, which indicates their high aesthetic value.
     Should not the question of denial of speech information? Through millennia tongue again becomes one of the major themes of philosophy. Philosophy itself has finally realized that its main tool is a language - a phenomenon that in the long run is not explored. But who rules whom? The language of philosophy or the philosophy of language? In his book, "" consideration of language began with the feeling and understanding speech harmonies, which are produced and perceived physiologically. But how to understand if there is inevitably a limit of sensitivity to Aeon (natural basis) dissolved in a continuous system of principles? Ancient civilizations have answered this question very seriously and intelligently, if you do not understand something that is generated on the basis of previous knowledge of new, better, use it wisely and to reign as long as this knowledge doctatochno. Genetics gave Miru variety of people lingvagenetika - a variety of languages. Mother tongue - a melody of life which every people sang and heard, understood in its own way, in proportion to their abilities. And the aesthetics? Aesthetics at all alone!
     For the neurobiological aspects of linguistics and art of special interest are studies of functional asymmetry of the two hemispheres of the human brain. The left hemisphere is shown mainly verbal and conceptual thinking, giving an estimate of the time characteristics of the situation. The right hemisphere provides a constant perception of concrete objects and situations, that is, creates sensory memory images. Perceptual knowledge contributes to a greater or lesser degree of positive emotion enjoyment of absolute faith seen "with my own eyes," the perceived their senses. In the "language against spells, bound our intellect" (an expression of Wittgenstein), have a clear sense of preimuschestvo.Chtoby "oplotnit" that defies expression familiar language of rational thinking, have to resort to metaphors of the second and even the third order, the metaphors metaphors. By so doing are philosophers and mystics who own mastery of painting. For example, the idea that past civilizations have created valuable myths and symbols, philosophizing artist Kseniya Trull decorated with bouquets of flowers. It presents flowers that Greek vase depicting mythological subject, the Chess for their infinite wisdom, as if rewarding them secular penance. A painter and mystic Alexander Isachev language of symbols telling the powerful images of the world religions that continue to try to give people the knowledge to comprehend the principles of the natural development through the traditions and ceremonies. Feeling the essence of the image of Persephone, Isachev shows her framed kite has become a symbol of unspoken feelings.

ill. Chess. Xenia Trull

ill. Persephone. Alexander Isachev

     Notably, in a treatise on the aesthetic education of almost the word "information". This indirectly confirms the idea that the characteristics of the right and left hemispheres of the brain are to set them up on the perception of information and data, respectively. The image does not occur under the influence of words if he had never been accepted by visual, tactile or other sensory way. Discomfort caused by unknown name will disappear if the object shown or described by other familiar images. Sensory-specific knowledge is necessary. It has almost no less, if not more valuable than logical. It follows an extremely important conclusion: as sensuous mind peculiar, unlike speech, is another way of expression and perception mirozdaniya form, to each of the existing natural physical principle, reasonable accommodation in the matrix properties of evolutionary development, has its own divine vital code-emotion with only her inherent characteristic, its kalogennost. This parallel view of the system of rules of natural properties of elementary principles explains the "arithmetic" of the senses.
     The conservation and evolution of life divides codes are feeling the positive and negative. Impacts, causing positive codes are feeling called aesthetics. Physiological nature of positive emotions explains the need for aesthetic perception of anything was that, unlike the language is one way of knowing for different people in the intercontinental. Under the influence of accumulated life experience of mankind aesthetics became a public ideology and created arts, develop positive feelings and cognitive kalogennosti principles. In kalogennost being manifested as a feeling of beauty. "The soul has no body, tie it to the other elements, and it can only be judged according to the laws of beauty" - lifts the secrecy on Maeterlinck, inadvertently predicting the emergence of the term with the expression "kalogennost" from the Greek words "kallos" - beauty and "genesis" - an origin . By the way, Hegel offered to give an idea about the aesthetics of the name "kallistika." This term would be useful now as the name of the science of natural principles, exert their influence on life without speech grammar.

   On the nature, substance, essence and role of Beauty written thousands of volumes, including rare items only touched upon the subject of the intimate connection with the System mirozdaniya Beauty. This problem has long resisted plausible explanation was offered "even abandon the study of beauty, because it <in the words of Leo Tolstoy>" strange enchanted ambiguities and contradictions. "But the nature of the notation is that the existence of so actively use the word could not have under a philosophy of some recognition. closer to one insight into the representation given to descendants of the sense of unity of the continuum-discrete miroustroystva came O.Butkevich.'s monograph "Beauty /Nature. Essence. Forms /"he writes:" In the current situation <diversity Beauty> can only do two things. Or we willfully bestow peace nonexistent in reality one quality which then perceive as beauty. Or all the same, really, in a variety of specific phenomena aesthetic perception captures some commonality, some common law, individual manifestations of which are all special cases, evoke in us a sense of beauty. "
The most surprising thing O.Butkevicha thinking is that, except for his mistake to avoid both "or" co-exist without contradicting each other.
     First, our ancestors willfully gave MIP being actually one quality - development that physiologically perceived as beauty of all that contributes to this development. Second, they determined the properties of the common quality Mira, set the properties of the evolution of the system and coded each letter. Alphabet letters formed the basis of articulate speech is included in the process of learning and development Mira. Third, in fact, in a variety of specific phenomena aesthetic perception captures a common pattern - functional and chronological changes in the properties of the frequency of a particular manifestation of which are all special cases, to arouse in people a sense of beauty. As the various specific cases O.Butkevich gives an example of beauty, "the combination of two spots of oil paint applied on primed canvas, and, say, a dynamic harmony of social order. First - a natural phenomenon, the second - public, one - very simple, and visibility, the other - is extremely difficult and is available in its entirety only sophisticated logical analysis. " Examples of arithmetic great many beauties: beauty action, which stems from the principle of "action" can not be compared with the beauty of the crystal, the person or any other form, mentally related to the principle of "fruit", and the same can be said about the beauty of the theory (the principle of "knowledge") and the beauty of the idea (the principle of "enlightenment"). These examples are shown in parallel "arithmetic" Beauty and letter codes. Apparently, while the need to express your own views on this or that physically exists about the aesthetic sense of beauty has the same function kalogennosti revealing that adequate text of words consisting of letters of phonemes.
     Thus, it begs another interesting conclusion: the Unknown Truth linked with the System property kalogennosti elemental principles, manifested in the form of feelings, emotions Beauty gipertezy. On the search for a sense of beauty and highlighting Maeterlinck Truth told, "In vain we have to protect themselves, closes himself in himself, our mind is not filled with us, and it escapes and does not belong to us, and if you need special circumstances to the other got into it and took possession of them, then it is evident that in normal life, our "inner self" as it was called, with deep insight, which is often found in the etymology of words, is a kind of forum, spiritual market, where most of those who have it, is a work freely walk around, immersed eyes and pick a particular way of truth, and is much more relaxed than we thought so far. " In a special way - this is when the two hemispheres of the brain gropes one eon-position kalogennoy matrix n-th order, which corresponds to one stage and aesthetic, and language grammars. Sharply positive emotion is perceived as a bright flash, illuminating the truth. The idea is beautiful! This is the moment of insight - the moment of greatest pleasure, granted by God to man. It seems that considering the possibility of creating a "compact models of the world that have predictive power," and intuitively predicting the existence of some, all explaining the system, the authors of "Poetry, brains and time" unpacking sign "culture" (pronounced "Kalchev") consisting of two meanings "kalos" - beauty and "huh" - discrete allocated. The discrete beauty - this is the "codes" of the aesthetic language "Periodic natural principles" and "True devices of the physical world."


     Morning show sketch article friend, who reads his subject an undergraduate. For approval the following question: where do the arithmetic? that the word is "giperteza"? Why is the meaning of "culture" is explained by "culture"? ... I promise tomorrow bring two already written essay "Lithos" and "I have the honor ..." and a section of the original "Evolution and right."

                                                                                        © Magnolia Dmitriev.

Diary "Magnolia" in the "ARTinvestment Forum" includes copyrights write for publication, including illustrated.
The reprint without permission of author issued.
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