Tatiana Mavrina

[Пар-И]

Mavrina (Mavrina-Lebedeva) Tatyana (20 December 1902, Nizhny Novgorod - August 19, 1996, Moscow) - Russian Soviet artist, painter, graphic artist and illustrator of numerous books, children's tales, USSR State Prize Laureate (1975), Honored Artist of the RSFSR ( 1981).

Born in the family of a teacher and writer AI Lebedev.

In 1921-1929 gg. studied in the Higher Art-Vhuteine (teacher - NV Sinezubov, GV Fedorov, R. Falk). Was a member of the "Thirteen". Since 1930, used the pseudonym "Mavrina.

In the postwar years began to write in a bright and open manner, close primitivism, and the old Russian folk art. Many worked not only in painting but also in book illustration (designed over 200 books). Known her work for the theater and film.

The only Soviet artist, award-winning name of Hans Christian Andersen for his contribution to illustrating children's books.

[Пар-И]

As a teenager, she studied at the legendary VHUTEMAS (at the undergraduate - in the studio of Robert Falk), which made a subtle understanding of color (she herself and called - "contused color").
... artist to adhere to be lonely and misunderstood. Although Mavrina and here in his repertoire: "16.1.69. Lived up to the moment when my pictures like. We must do something else that nobody likes. " Nature ...

[Пар-И]

The main source of motivation over time, impressions of travel, exploring and Zagorsk (now Sergiev Posad), Uglich, Rostov, Alexandrov, Suzdal, Pereslavl-Zaleski and other homes of architectural antiques, amounting to many years of heavy machine-cycle of an old Russian cities (1942-1968) . At the same time was working on illustrating fairy tales (design of children's books of Pushkin's Tale of the Dead Princess and Seven Knights, 1949; Ruslan and Ludmila, 1960; U Lukomorya, 1961, as well as compilations - The wave of the wand, 1958; Russian Fairy Tales, 1963). In 1960 the two lines, full-scale, landscape and fabulous, merged into a common channel, creating a colorful stream of iso-folklore, absorbing, in addition to routine genre, a lot of motivation from lubok, tiles, painted spinning wheels, gingerbread planks. Picture books have become self-sufficient artistic albums, where the sparkling "modern splints" has certainly dominate the text.

[Пар-И]

Thank you for your attention.

[Сергей Дородный]

Thank you very much for creating this topic.
Just visiting this weekend at the Crimean Tretyakov, was depressed
exposure more than usual - from the halls Sovrem. Art removed a few of the sixties (I do not know, may have long) - Yankylevsky, drawings Kabakov, and this exposure has lost all meaning.

  But, as usual, was particularly upset by the ratio of T. Mavrina.
  3 pictures for the corner, in some sylno vygorozhennom, slice, poluzale.
  For me personally, Tatiana Mavrina not simply one of the favorite artists, but also particularly distinguished artist. Because (IMHO, IMHO)
namely, it has brought to our time (I mean, of course 60-80)
fire of this art of the early 20 th century.
  I would like to order for her paintings found a place and space are more worthy. Is the picture about Stalin and Voroshilov is more important?

[Сергей Дородный]

Yesterday, one of the galleries admiring the drawings Mavrina.

[Vladimir]

[Glasha]

[Сергей Дородный]

[Маруся]