Uzbekistan. Announcement of exhibitions.

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[URL="http://art-blog.uz/archives/17016"]Solo exhibition "Bu Hayot" Dutch artist Ronald Claire in the theatre of Mark Weil "Ilham@ (more photos at the link)

Ronald Clair is a special artist in a pictorial history of Uzbekistan. He once Russian artists such as I. S. Kazakov, A. Nikolaev (Usto Mumin), p.p. Benkov, M. And Curtin and so on, visiting Uzbekistan, decided to link their further creative life with nature and the people of Central Asia. As they say in the artistic environment of Uzbekistan, Ronald Clair - founder of the Dutch-Uzbek painting.

In 1994 Ronald Layer first arrived in Uzbekistan, as a student at the Department of painting and drawing at the Royal Academy of fine arts in the Hague. In 1997, a young and already a certified artist from Holland came back to Uzbekistan, where he met his future wife, Galina, which radically changed his life.

Here are a few excerpts from the article Tamara Sanaevoy about the exhibition opened Ronald Claire "Bu Hayot" - "This life".

At first glance it is not so great. But this impression is deceptive. The exhibition, aptly built by art critic Julia Raw, has incorporated new paintings and works from the exhibitions, which was visited by many of the spectators, becoming the ajar door, which guessed the life and works of the artist...
It happened at the fair "Bu Hayot". Another door in the Studio and the artist's life.

...Portraits is a gallery of fates and characters... Unchanged the interest with which I look at these spiritualized brush face with the imprint of past days. Not the lightest, not the most simple. Read in the colors and lines destinies.

But the door... the Exhibition with them and starts. And like triple hinged - triptych "hush kelibsiz" - "Welcome". Uzbek Madonna, greeting guests or mourners gaze of passers-by. Door leaf paintings Cleyera like beyond the plane of the canvas. Or picture draws in their space of the viewer. In one, the second, the third aperture of the yard... Or post in the Sunny haze lying outside the home...

...Clairy live in the capital of Uzbekistan, there are in Holland, in other countries. But always come back to your Tashkent house on the street Aral, which they chose and arranged together. The Aral sea, uniting them, and in Tashkent does not forget about yourself. Ronald, become more familiar with the Tashkent realistic school of painting classes in the Studio of the famous artist Javana Omarbekova, traveled extensively in Central Asia...

... "This is life". The so-called exhibition Ronald Claire in the "Ilkhom". And these same words, similar to the half-open shutters doors, I want to repeat, telling about the fate and work of the artist, who became a Mature master of painting and continues to improve at once and he found the path of service.

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[URL="http://art-blog.uz/archives/16799"]Easel graphics of Murod of Fosili and Muhammad Fosili diverse spectra of aesthetic and philosophical concepts that are accessed by artists, carries a clear architectonics, thorough graphical plotting and structure, which reveals the specifics of the creative process. Turning in his work to various artistic traditions and concepts, they managed to find their own way, helped to create unusual and unique proizvedeniya@

Also presented at the exhibition of paintings by Muhammad Fazili, where he speaks to a variety of themes and subjects. Paintings of the artist is a kind of artifacts, fine art, disclosed by the author, first of all, through a complex way of understanding ourselves and the world, in an attempt to reveal to the viewer and covert in nature and man. Complex composite structure of the paintings of M Fosili always have a deep inner meaning. In each excerpt, you can read reflections on the fragility and fluidity of time, the universality of life's origins.

Muhammad Fosili was born in 1959, in Pakhtaabad Andijan region. In 1980 he graduated from the Samarkand Institute of Architecture and Construction, faculty of architecture. Since 1998 member of the Creative Union of Artists of the Academy of arts of Uzbekistan. Lives and works in Tashkent.

Murod of Fosili was born in 1957 in, Pakhtaabad Andijan region. In 1979 he graduated from the Samarkand Institute of Architecture and Construction, faculty of architecture. In 1991 he was awarded the State prize. Alisher Navoi. Lives and works in Kokand.

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Muhammadjon Tojimirzayev has found his way in painting, without imitating anyone. Living away from the epicenter of the cultural life of Uzbekistan, it was formed as a separate creative person, surprising the audience with his individual vision of the world, drawing on topics from the environment, from traditions, from everyday life and philosophy.

The artist does not overload the composition of unnecessary explanatory symbols, important emotional transfer themes, what can be read between the lines, what you feel without touching.

Tojimirzayev Muhammadjon muralist. Born in Namangan. From 1979 to 1985 he studied in Namangan musical and art school. The basis of his creativity is a fundamental school skills obtained in the Tashkent theatre and art Institute, where he was taught by V. I. Zhmakin, A. R. Mazitov, R. Rizamuhammedov. Upon graduation, lives and works in Namangan.

a Post about his first personal exhibition Muhammadjon Hojimirzaev in Tashkent can be found here

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Academy Of Arts Of Uzbekistan
The Directorate of art exhibitions
The Ministry of defence of the Republic of Uzbekistan
Central state archive of the Republic of Uzbekistan
Central state archive of
Of The Republic Of Uzbekistan
With the assistance of:
BONUM FACTUM, GALLERY ARTSTORY, MARDJANI FOUNDATION
"RETURN THE WORLD"
Republican retrospective art documentary exhibition, dedicated to
The day of Memory and Honors and the 70th anniversary of Victory over fascism
in World war II 1941-1945

exhibition open on the eve of Day of memory and Honor at the Central exhibition Hall of Academy of arts of Uzbekistan presented over 300 exhibits

demonstrating the unique mission of Uzbekistan in the years of the Second World War through artistic and documentary material held in Museum collections and the archives of the Republic, in the personal archives of members — veterans of war and members of their families.

This paintings, graphics, posters and sculptures from the collections of the Directorate
Art exhibitions created by the artists of the war and postwar period. Among them are the works of artists of soldiers, artists — Hero of the Soviet Union Samiha Abdullayev, V. Goryainov, Victor Yevenko, Michael Esin, Zakir Inogamov, Ivan Kochetov participating in the storming of Berlin. Basil Lysova, Rafael Matevosyan, Vladimir Petrov, the participant of the battle for Stalingrad. Anatoly Simbana, Rostislav Suchkova, George Tkachev, Hikmat Rakhmanova, Ilya Rubin and other famous masters, reflecting in his works the events and heroes of the war years.

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24.05.2015 year in Memorial Park — Museum of K. Behzod the opening of the solo exhibition of a remarkable artist — portraitist Alexander Wiener. The opening ceremony was attended by his daughter Irina Aleksandrovna Viner-Usmanova. The exhibition showcased paintings that are stored in the collections of the State Museum of arts of Uzbekistan, the Directorate of art exhibitions of the Academy of arts, and from Angren art gallery.

The life and works of Alexander Efimovich Wiener inextricably linked with Uzbekistan, its history and artistic culture. Painter, thoughtful and caring teacher, an adherent of the realist tradition in art, A. Wiener has not lived a simple life, like many artists of the postwar generation.

Alexander e — he fought in the great Patriotic war. Once after the war wounds in Samarkand, which had been evacuated from Leningrad Academy of arts, he became her student. And although his career could be quite the same as many other of her students, A. Wiener received in his heart and chose his own way-he returned to his beloved Samarkand and remained in Uzbekistan. And linking the fate of this region, he has dedicated all his work.

In genre the artist main theme was everyday work for farmers, but he tried to convey and poetic side of rural life, seeing them even in the most commonplace, everyday...

Characteristically, E. Alexander loved to paint portraits of the "big plan", establishing a direct view in the vicinity of the model.