Presentation of the book-album, "The Hierarchy of simplicity", dedicated to Alexander Ishin

[Люси]

April 19 opening of the club, street Spiridnovka, 9/2 (in the yard)http://openklub.ru/events/307/
The presentation of the book-album, "The Hierarchy of simplicity", dedicated to Alexander Ishin.
We invite everyone to visit. >
Ishin - the author is deeply unique and distinctive, has, according to the classics, those uncommon expression. His works have become increasingly popular among connoisseurs of modern art.

Subtle master, to blend in the tradition of Russian and world art, an artist with many years' experience, "his whole life dedicated to the art of finding and developing your own theme, style and attitude.
 
Ishin-creative biography of the painter begins in the turbulent 60s, when collapsing the usual stand of socialist realism, and artists began to create not at the direction of the party, and according to his own ideas about art. In his first, still feel the influence of student paintings popular prints, kitsch greeting cards, urban folklore, naive art, oberiutov. In the early stages of the artist paid tribute to the "rural" issues. Over the years, decorative faded into the background, giving way to the spiritual and philosophical quest and the "new portrayal." Perhaps the most accurate Ishin literary equivalent of painting can be considered a poem Nicholas kyuis:

Angel ordinary human affairs
in my house lark flew.
Smiled oven and bench
gurgled loudly goose-tub.
The fly in the dark zabubnila cat:
"For the ear, mister, wash away the blackness!"
 
Despite the brevity of expression and the apparent clarity of language Ishin has always been a deep thinker, never ceases to surprise discoveries and revelations. In his work more fully connected factors that make the popular artist and really relevant as aesthetically and commercially. Whimsical, multifaceted aesthetics based on local spiritual traditions, on the one hand, and understanding the European experience of the other, can talk about Alexander Ishin as the author of a world-class, which is yet to be truly and fully open, intelligent and understood . Not for nothing around the artist is a wide circle of admirers who think Ishin author with great spiritual and aesthetic potential, in many ways ahead of his time.
 
Publication of the monograph is a response to a request demanding audience. From now connoisseurs of contemporary Russian art have solid information and analytical material, allowing the most complete and comprehensive judging a unique author.
 In the book, "The Hierarchy of simplicity", which includes more than one hundred color reproductions and dozens of documentary photographs, memories of Ishin and impressions of his works fall into prominent and influential artists. Among them - Natalia Nesterova, Dmitry Žilina, Victor El'konin, Tatiana Nazarenko, Nikita Makhov, Elena Lebedeva, Igor Dudinskiy and others.

Alexander Ishin was born in 1941 in Ufa, where his family was evacuated. Since 1942 lives in Moscow, but most of his life takes place in nature - in his suburban village usdbe. He graduated from the Moscow Art School at the Surikov Institute, and in 1966, the Moscow State Art Institute named after Surikov class V.F.Ryndina and MM Kurilko.
 
Student went on a creative trip to Norilsk. In the magazine "Youth" held the first exhibition of the works on the life of the northern city. Worked in many genres - from painting and graphics to the facades and interiors of public buildings in various techniques (relief, mosaic, tempera painting, wood carving).

The head of the Russian International Center for Creative rehabilitation. Rector of the State Specialized Institute of Arts. Author of many scientific and methodological articles summarizing his own creative and educational experience.
 Honored Artist of Russia.
 People's Artist of Russia.
 Member dozens of solo and group exhibitions in Russia and abroad - including the U.S. and Europe.
 
Works are in the State Tretyakov Gallery, the Russian Museum, a collection of Ludwig (Germany), the Museum of Modern Art of the Russian Academy of Fine Arts, the Museum of Modern Art in Tsaritsyno Museum Marc Chagall (Vitebsk), the Museum of Modern Art "Mars" as well as many museums, collectors and collections Russia, Germany, USA, France, Italy, the Netherlands, England and Israel.

[mihailovoh]

Thank you Lucy for a great album.
 
Several small rabot.nahodyaschihsya I
 
X \\ M 35-35 series of portraits and shoes

Добавлено через 7 минут
Thank you Lucy for a great album.
 
Several small rabot.nahodyaschihsya I
 
X \\ M 35-35 series of portraits and shoes

[mihailovoh]

And thank you for the wonderful work Ishin

Harvesting x \\ m 100-70 1967 g.ochen beautiful and positive

One for work (Solitude in the City) x \\ m 75-75, 2010

[Люси]

Mini Presentation Online Artinvestment.
Victor El'konin:
Alexander Ishin - the classic "villagers." For the Russian artist
it is not a miracle. True, the "villagers", he is not quite normal. His village -
no rest break out into sketches, crazy of kombinatskoy painting-
B and meetings of boards and vystavkomov capital painter. But Ishin
and urban dwellers - the owner of a country cottage or a garden plot, which you-
initial and on holiday breaks ohotku dig in the garden or in the garden.
Ishin - villager, whose circumstances make
a time to live in the walnut Borisov, that is in Moscow. If he were not hu-
dozhnikom, safely could take a family row in any branch of Agriculture
economy. And have done it, because his whole family was. But he
Now, with all his household, coping with large monumental
GOVERNMENTAL work and even creates a gallery of highly
easel paintings, the mind boggles. Besides that he is not a business
and not fussy - more leisurely and like even with the lazy. Uncommonly
interesting Russian character.
Tatiana Nazarenko:
In my collection there are four beautiful paintings of the Russian artist Aleksandr
Sandra Ishin. Sasha in different years gave them to my next anniversary. It was
such a wonderful time when artists gladly gave to friends
their work. I know Sasha long time, since the study in MHSH well represented
lyayu his work, not once been to a major solo show and always recognize his work in group exhibitions. They are instantly recognizable and the manner of writing, and by constant theme. Ishin on works, you can see how changing our lives, what happens to the master, as he thinks he is pleased and concerned - all this is reflected in his works.
We used to, graduates MHSH often met on the opening day, holidays,
framework of, the spiritual feasts, talked about many things. Now, unfortunately,
see each other often. Many years ago, in the winter I went to the village Matyushino where
long lived with children Galia and Sasha Ishin, fell in love with the neighborhood and tree-
Viennese life. In the end, they picked me in a neighboring village Dvorjaninova house, where I'm already 26 years living and working in the summer. Of course, then we met often. I came to a huge house Ishin, where everything was incredibly beautiful: bright picture of Galina with bouquets of flowers, carpets, rugs, blankets, carved boxes, Russian stove and a workshop where Sasha shows work - his son and Pasha, and then the daughter Pauline. Sasha constant theme - the village, houses, roofs, bath-house, the men and the women with brooms, cows and poultry. Once all this is - a magical, extraordinary

[манна]

Сообщение от Lucy, 2559701"

Mini Presentation Online Artinvestment

Add >

Dmitry Žilina

We met with Alexander Ishin in the 60's. I was teaching at the Surikov Institute, and he studied it. It was in his own happy time. We loved the old art, these artists, their teachers. Young, just graduated from university, competed, who better to do the work, remembering the commandment of Leonardo da Vinci: "The worst thing - to lose integrity."
For many years I was chairman of the youth and remember vystavkoma of Ishin. He's always bright and varied sang a Russian village, its people and was sincere in his work, expressing what he saw and felt, while having and abstract thinking.
How did Lenin: "... a specific abstract." Ishin work - this is not an open-air "as it were in the forehead." Much thought and expressed by the subconscious, based on years of experience and "artistic heritage." Even in his painting I like the open, local color - on the verge of children's perception and in the spirit of his favorite artists-primitivists. Certainly, he is entitled to his view of the world on his chanting and protection. This valuable work and Ishin. And they are valuable because they always seem powerful and expressive. As my mentor taught me Vladimir Favorsky: "That the work was not a commodity, and the" thing "and the" thing "with a capital letter. Now, alas, many young artists are more focused on the commercial success of their work - it is their main goal. Many are involved in all sorts of "kinky" to "impose" a kind of pseudo-a "different sauce." For example, to score a nail, hung his boots and write: "Mother's shoes" and it will expose. Beauty? In general, it can and funny as an anecdote, but I am in this very hard. However, I believe and understand that this art never dies, but it should be supported. How did Obrosov, Andronov, Vasnetsov, and this support must be continuity of the young artists - the main thing in any kind of art to love what you do and do it honestly. Ishin certainly possesses both - and love for his work, and the skill and honesty.

[манна]

Сообщение от mihailovoh; 2559021"

Several small rabot.nahodyaschihsya I
X \\\\ M 35-35 series of portraits and shoes

mihailovoh, you have a great job. I love it when a few small pictures next to the album ... I made photographs of Alexander Vladimirovich is against the wall, hung with this "little thing".
Older works are interesting, too, though I prefer things in recent years.

Other text from the album <! - ~ 1 ~ ->


Natalia Nesterov

"Sasha Ishin I know from school, from the time of study in Mos-cow art school. We," larva "(the name of the younger students

classes), ran to look at the work of the senior guys, while children

Pictures were particularly sincerity and kindness. Then-Institute,

unusual works that stand out among the others, filled with humor

and happy attitude to life. Sasha has retained this trait to the present day-time for him. It seems that all the techniques are simple and familiar, but it works

obtained emotionally and spiritually "roomy", at the same time

complex and light, sad and tragic, as we experience our

life. Simple themes and solutions are filled with huge layers of sense-fishing and observation, perhaps too quickly zipping years. Kupa-set, a card game, mysterious animals, houses, flowers, trees. All Sasha

picture touched to the depths of the soul, delight and make you think. Sasha

never tires of creating more and more work. For our time so

extraordinary that a person does not lose the strength of spirit and inspiration. God forbid,

this to continue as long as possible. "

[mihailovoh]

manna,

Bezsporno each period at A Ishin interesen.no the basis of its originality is in the 60s

Several papers are not included in the album.

[Люси]

From a series of shoes and a series of portraits

[Люси]

Igor Dudinskiy
If the search for the sources and analogues ishinskogo space, the first thing to mind
come Harms, Vvedenskii, Z, other members of the Association
real art. And, of course, I remember Victor Shklovsky
with his theory of estrangement: the author to find out the true nature of
and the essence of even the most banal statements and return the image pervona-
initial meaning, pull him out of the usual, petrified, zashtampovannoe-
tion context. And then the most ordinary things appear before the audience
otherwise, "strange" and unexpected appearance. Actually, Alexander Ishin
and have the wizard that converts ordinary, everyday indirect
bridges in a space filled with romance oberiutov shows environ-
world surrounding us in its original, natural, unformed,
as absurd, and not through the prism of stratified in each of us for the E-
nuvshie Millennium prejudice.
It turns out, houses, fences, attic windows, rural neighborhood with cats and ne-
tuhami and most importantly - the people who are our contemporaries - all the things that fill
nyaet is our consciousness - not what it is. We only
it seems that the context in which we live, exhausted and therefore not
so interesting. In fact, all around is filled with secrets and riddles,
and its task Ishin artist sees it, is to offer to all of us
participate in the experiment creation. As a result, we gain a chance
look at what is happening around uncomplicated-minded and unbiased, Shih
Roko eyes open and see how anxious and moving all
was in the first hour and minute of birth and occurrence - at the very beginning
separation between matter and mind.
To the credit of Ishin, he managed to avoid the temptation to edification, "seriously-
first "attitude to life. The language in which the artist speaks with spectator
Telem, too ostranen - master prefers the most common
and clear attributes and pragmatic arguments of our time -
grotesque irony, enthusiasm, ridicule, paradoxes. No wonder the author was at the used
currents of Soviet non-conformist, was at the heart of the struggle
a conservative system for new art.

[манна]

Сообщение от mihailovoh

manna

Bezsporno each period at A Ishin interesen.no the basis of its originality is in the 60s

mihailovoh, you are absolutely right!
About the foundation.


I'm only about his "love", ie
about taste ... and they are not arguing <! - ~ 1 ~ ->


I currently work 4 left, one of them in '69 It is this: