Dictionary of Contemporary Art

[ottenki_serogo]

AGENT

  - A specific state of abandonment and alienation from happening, in which a man thinks that he is an agent for something, unknown to himself, airlifted with no job and does not belong to any secret service. Condition agent dysfunctional: it is equally alienated from the whole ( "the Agent for all stages of the slippery"). This is expected eyforizirovannaya kontrversiya paranoia. Term S. Anufrieva 1989 Determination provided P. Pepperstein.

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ARTIFIKATSIYA (artifikatsionny whim, artifikatsionnoe distortion)

- Statement (articulation), which has kind of "art". P. Pepper-stein. The communist ideology of the unknown, 1988.
 
Cutting down HEADSET

- Identification of foreign territories semantic mechanisms operating simultaneously in a mode, a stranger, on the other. Zakharov. A series of works beginning 90-ies.

 
Pyo

  - State of metaphysical chaos. Sorokin. Of the texts and calls early 80-ies.
GNOSIOLOGICAL Thirst

- A paradoxical combination of words, which connects speculative demand in the knowledge of the physiological process. This refers to the idea of Russian "collective unconscious" as a single undifferentiated "body", painfully wish to learn about themselves, that it is "really". I. Kabakov.
 
GORGONALNOST (GORGONALNOE field)

- "Direct view" leading to "direct action" as the predominant intento Western culture. S. Ana friev. Pantagruel peripheral vision, 1989.
 
GUGUTSE syndrome

- Syndrome of total incomprehension (opposite Syndrome Teddy). Named by the name of the hero stories of the Moldovan writer Ion Druce. Hat Gugutse - the effect of a sudden total lack of understanding that sometimes "covers" of one or more persons ( "Crown Gugutse" - the name of the book Jonah Druce). MG. Dialogue "Teddy", 1988.

 
DETRIUMFATSIYA

- The condition in which one or another thing is released from its being as it was this thing comes out of the "triumph", which is built into it in the Determination of the world. P. Pepperstein. Pass and detriumfatsiya, 1985-1986.
  
Kolobkova

- The mythological figure of "escape" in the aesthetic discourse of the Moscow conceptual school. I. Backstein, A. Monastery. Introductory dialogue to the collection MANI "Rooms", 1986.
 
MONGOL little window

- Stereotype heraldic wreath-windows used in the coats of arms of all socialist countries. One of the opto-instrumental pieces (gadgets) in hallucinosis. MG. Lateral sacral space in the USSR. 1991. (The term P. Pepperstein.)
 
RELYARY (editorial lyarvy)

- Characters, "parent" something or other periodical publication (eg, Punch in Punch, a crocodile, "Crocodile", Murzilka in "Murzilki" etc.). Ya Pepperstein. Three journal, 1989.
 
TEDDY syndrome

  - Instant syndrome (phantom) understanding. A. A Monastyrsky in the mid 80-ies. Had gained currency in the texts of MG. Title syndrome derives from the name of the hero of the story Salinger "Teddy". MG. Dialogue "Teddy", 1988.
TEKSTURBATSIYA (RECHELOZHSTVO)

- Ecstasy of speaking, a distinguishing feature of speech acts in Russian culture. V. Tupitsyn. Conversation with I. Kabakov, 1990. Arts, 1991.
BODY OF TERROR

- Both victims and agents of a certain type of Terror, which destroys the body for the sake of completeness eidetic orthodox speech, understands this destruction as something entirely positive. M. Ryklin.
 
Total installation

- Installation, built on the inclusion of the viewer inward, calculated on a reaction inside the closed, without "windows", space, often consisting of several rooms. The main, crucial in this case is its atmosphere, the aura that occurs due to paint the walls, light intensity, configuration of rooms, etc., with numerous "ordinary" members installation - objects, drawings, pictures, texts - are ordinary components the whole. I. Kabakov. On the total installation. Stationery, 1994.
 
TROPHY

- Object passed from the depths of hallucinosis. P. Pepperstein. Von Tan Hill, 1993.
 
Clarity and peace

- The term S. Anuf-rieva. Determining the author is not granted.

[Кирилл Сызранский]

[Meister]

They definitely enjoy something forbidden)

[Прохожий]

Excellent text! Just super illustration of the essence of contemporary art - a dictionary of terms created by the art-makers. Definitions you seem to be vague and confusing? There is a desire to advise the dealer to change or stop taking this filth? Friends, when people do not know what to say and shrug god-knows-what-phrase - is that not proof of internal voids. Can I object to, what are you, dimwit just saying that if he did not understand? And they themselves are something to understand, are able to adequately express their thoughts? Or as the guru of Russian rock - "I wrote, but you understand the extent of self-understanding"
And, most importantly, in the hold dictionary lacks the most important thing - the entry-epigraph, for which ideally would fit Andersen's fairy tale about the emperor's new suit.

[Art-lover]

Why a portrait of Pushkin's office was decorated with the censor?
Because the poet called: "Soul excellent gusts!"

But Pushkin about Viagra:
"What low cunning half dead amusing."

That's me to the fact that any text can be zatsitirovat to death (before the loss of meaning) if it is wrested from their native context and placed in another.
And now some forumlyane unwittingly trapped in traumatic citation - deciding that they are dealing with some vocabulary designed to clarify the concepts of modern art.
(If the topic was specifically relied on such comic effect, then apologize for his inappropriate comment.)

To avoid misunderstandings, the topic should be called the "Glossary of terms of the Moscow conceptual Schools
- Under the name of the book, from where entries
(compiled by Andrew Monastery, Publishing «Ad Marginem», M. 1999.).
Or give link text, so people are not afraid of that naglyukannye art figures they want to hang noodles on the ears, but could be deduced from the preface:

... and on the strangeness of naming, and definitions immediately obvious that this is - ironic fantasy. However, imagination is quite natural for conceptualism as a direction in art (as opposed to philosophy). Here, in contrast to the philosophy, we are dealing with poezisom concepts. If there is such a thing as a "philosophical poetics", it is conceptualism (at least in its "theoretical" part, presented a dictionary) accentuates this poetic phrase, stressed "unreal" - that first requires unwarranted credibility and only then understood. So, Conceptualism as poetry philosophy. It is with this, in my opinion, this is the case the reader. It is in this perspective is represented Moscow Conceptualism.

In general, these words (originally intended not for the general public, but for philosophical game of the narrow range of poets and intellectuals) - no longer "contemporary art", but its rather distant history.

[noart]

Сообщение от ottenki_serogo

AGENT

 - A specific state of abandonment and alienation from what is happening, where people think that he is an agent for something, unknown to himself, airlifted with no job and does not belong to any secret service. Dysfunctional state of the agent: it is uniformly alienated from the whole ("Agent for all stages of the slippery"). It is assumed that eyforizirovannaya kontrversiya paranoia. The term S. Anufrieva 1989 specifically granted to P. Pepperstein.

Читать дальше... 

ARTIFIKATSIYA (artifikatsionny whim, artifikatsionnoe distortion)

- Statement (articulation), which has kind of "works of art." P. Pepper matte. The communist ideology unknown, 1988.
 
Cutting down Headsets

- Identification of other people's territories semantic mechanisms operating simultaneously in a mode, a stranger, on the other. Zakharov. A series of papers beginning 90-ies.

 
Pyo

 - State of metaphysical chaos. Sorokin. From the texts and calls early 80-ies.
Epistemological Thirst

- A paradoxical combination of words, which connects speculative demand in the knowledge of the physiological process. This refers to the idea of Russian "collective unconscious" as a single undifferentiated "body", painfully learning about myself, that it is "really". I. Kabakov.
 
GORGONALNOST (GORGONALNOE field)

- "Direct view", leading to "direct action" as the predominant intention of Western culture. S. Ana friev. Pantagruel lateral view, 1989.
 
GUGUTSE syndrome

- Syndrome of total incomprehension (opposite Syndrome Teddy). Named by the name of the hero stories of the Moldovan writer Ion Druţă 's. Cap Gugutse - the effect of sudden total lack of understanding that sometimes "covers" of one or more persons ("Cap Gugutse" - the name of the book Jonah Druţă 's). MG. Dialogue "Teddy", 1988.

 
DETRIUMFATSIYA

- The condition in which one or another thing is released from its existence as it was this thing gets out of the "triumph", which is built into it in the uniqueness of the world. P. Pepperstein. Passo and detriumfatsiya, 1985-1986.
  
KOLOBKOVOST

- The mythological figure of "escape" in the aesthetic discourse of the Moscow Conceptual School. I. Backstein, A. monastery. Welcome to the collection of dialogue MANI "Rooms", 1986.
 
MONGOL Window

- Heraldic wreath stereotype-windows used in the coats of arms of all socialist countries. One of the opto-instrumental pieces (gadgets) in hallucinosis. MG. Lateral sacral space in the USSR. 1991. (The term P. Pepperstein.)
 
RELYARY (editorial lyarvy)

- Characters, "parent" or that periodical (eg, Punch in Punch, a crocodile, "crocodile", Murzilka in "Murzilki" etc.). J. Pepperstein. Three magazine, 1989.
 
TEDDY syndrome

 - Instant syndrome (phantom) understanding. A Monastyrsky in the mid 80's. Gained currency in the texts of MG. Title syndrome is derived from the name of the hero of the story Salinger "Teddy". MG. Dialogue "Teddy", 1988.
TEKSTURBATSIYA (RECHELOZHSTVO)

- The ecstasy of speaking, a distinguishing feature of speech acts in Russian culture. B. Tupitsyn. A conversation with I. Kabakov, 1990. Arts, 1991.
BODY TERROR

- Both victims and agents of certain types of Terror, which destroys the body for the sake of eidetic completeness of orthodox speech, understands this destruction as something purely positive. M. Ryklin.
 
Total installation

- Installation, built on the inclusion of the viewer inward, calculated on the reaction inside the closed, no "windows", space, often consisting of several rooms. The main and decisive importance is its atmosphere, aura, arising out of painting walls, lighting, configuration of rooms, etc., with numerous "ordinary" members installations - objects, drawings, pictures, texts - are ordinary components the whole. I. Kabakov. On the total installation. Kantz, 1994.
 
TROPHIES

- The object passed from the depths of hallucinosis. P. Pepperstein. Fawn Tan Mountain, 1993.
 
Clarity and peace

- S. Anuf-term scenarios of. Determining the author is not granted.

Maurizio Cattelan. "Another fucking ready-made". De Appel Center for the Arts. Amsterdam.1996.
            At night, the artist broke the Amsterdam gallery Bloom, brought out all the furniture and moved into the premises of his exhibition as a project, soon returned furniture owners.
Maurizio Cattelan. "It was a bad job of work - work." Venice Biennale. 1993.
            He sold the allocated space for the prestigious exhibition company, market a new brand of Italian spirits.