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Artists, artworks, art history Discuss artists, their lives and works, the history of works’ creation and other art history issues.

 
 
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Старый 27.03.2011, 21:19 Язык оригинала: Русский       #1
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По умолчанию Monovizualny Kinematic Expressionism Nicholas Cherednichenko

Вложение 1191921
Nicholas Cherednichenko, Vision, 2005, 120x150, oil on canvas

Question about the artist: but what style do you work? - Reveals a completely different attitude towards the current situation than it is. All work in all styles, hierarchical chronology "-isms" a thing of the past. In one of the directories Nicholas Cherednichenko style is defined as "Monovizualny Kinematic Expressionism." Why not bipolar statistical minimalism? Or poststrukturalny lingvosemiotichesky surrealism? Or invesionno-emanativny otnolgizm? Terms, more or less accurately determine what makes an artist, you can substitute an arbitrarily large number - without any prejudice to the perception of paintings themselves.

The mystery of minimalism - that he gives freedom. The painting, which uses only one or two colors and simple geometry - point, line - and nothing else - liberates perception of humans, causing it gamut of complex associations and emotions. Every regular viewer - as a co-author of the artist - is in her new meanings.

Вложение 1191931
Nicholas Cherednichenko, erogenous zone, 1997, 90x90, oil on canvas

Gold dots on ocher background may be the golden rain Danae, August stars, a lantern in the rain, syplyuschimsya New Year's confetti flakes or night, when you look at them from a lighted window, something else, unknown and mysterious - and all of these simultaneously. You are free in their thoughts and memories. The composition of the blue, red and yellow dotted lines then turns road sign "Dangerous Corner", for which escapes into the distance separating the markup on the highway, then the two coupled triangles, symbolizing the male and female, and rushing off into infinity, while rotating about an unknown axis.
 
Вложение 1191941
Nicholas Cherednichenko, Crown, 1997, 60x80, oil on canvas

Other work resembles a yurt near the river, or a refined Japanese fan thrown in embroidered green on a red silk kimono. Meticulously and carefully put colored strokes are added to the fallen autumn leaves, after the lights of carnival. Small blue rectangular canvas with a narrow blue stripe-gap. May represent a flying saucer landing, and if the reverse - "look at the sky from the mailbox." Who of us in childhood did not have to look into the narrow slit of a mysterious mailbox? A look from it? This is something Kafkaesque.

Вложение 1191951
Nicholas Cherednichenko, Flowers, 2006, 90x90, oil on canvas

Nick likes to write Cherednichenko flowers - because they're beautiful. " It would seem that the new can be invented on the colors after "Sunflowers" Van Gogh's flowers and portraits of Vladimir Yakovlev? But what's interesting: when Nick tries to make the flower "something special", it turns out pretty trivial, but once he makes frankly decorative thing "for sale" - there is a subtle and powerful Ranked product, which goes beyond the decorative and applied in the region " high "art.
Examining some of the work Cherednichenko akin to a European examines Japanese prints: admiring their elegant lines and subtle color relationships, he sees that it is beautiful, its mesmerizing simplicity and harmony, but he can not read their characters and does not know the myth, from which it derives message of the picture. Painting "The Circle" depicts the gray triangular ring on a complex color "outer" purplish-blue background.

Вложение 1191961
Nicholas Cherednichenko, Circle, 1997, 80x100, oil on canvas

- Why do you call this triangle circle? - A question.
- Look, there is a group of people self-sufficient, it advanced community, which is very difficult to reach. The circle is closed - this is a ring floating in space, and has sharp corners. If you want to take it, "unceremoniously" - of injury due to these angles. If you come from - he spruzhinit and repel you. Besides, who wants to get him no choice as to bring into it something of their own, and, having built his own small pyramid of consciousness, to merge with it from below, - explained the artist, and a sly smile and said: - Now you can see that it - a circle?
Authors myth is an integral part of the picture. Everything becomes clear only with the text. Remembering the ancient poets, who were both actors and musicians, artists, storytellers become parables - contemporary art strive to push their boundaries, encroaching on the previously forbidden territory: in the past said that if the pattern can be explained in words, it's not a picture. Now it turns out that it becomes a pattern only after it was explained. It does not matter who came up with a parable - an artist or a spectator.

Вложение 1191971
Nicholas Cherednichenko, Vision I, 1994, 120x150, oil on canvas

Separate from everything else, made by the artist, is a series of "Cities." We are in dreams beautiful city of the future city in which we have never visited, but always have them with you in my dreams, and dreams - has always stood on the mountain (remember the Renaissance Madonnas, sitting in a meadow on the hill behind which is seen a beautiful "Heavenly City Jerusalem "). Fantastic porticoes and arches are connected by numerous ladders and dizzying transitions, multiplied and reflected in each other domes and steeples are raised here and there, reinforcing the overall dynamics of the upward movement. Something they resemble the "impossible reality" Escher's genius, but they have less reason - it is an architectural expressionism, the dream of pure form, as it was not treated with consciousness.

Вложение 1191981
Nicholas Cherednichenko, Rodina, 2011, 60x80, oil on canvas

Manuscripts do not burn, and consciousness does not die. Pictures are living longer their creator. This is - his life after life, message to descendants. If these pictures make us happy, then why not be confident that they will please those who come after us? If we have a sense of celebration, then why does it not arise from them? If our memories are precious to us, then perhaps they will not be their road? Pictures live longer than men. "When I die, I'll leave your party to all those who have my pictures, this is my future," - said the artist.

Вложение 1191991
Nicholas Cherednichenko, Echo stone walls, 1998, 90x100, oil on canvas

Art historian Elena Zaitseva
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