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24.05.2010, 15:44 | Язык оригинала: Русский #51 |
Гуру
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Contemporary Art and 50 years ago it was. Something in this recall, and somehow it is now called. Some of the things the Soviet period of Russian art called socialist realism, some-non-conformism.
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24.05.2010, 18:08 | Язык оригинала: Русский #52 |
Старожил
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Today - Day of Slavonic culture.
I advise to look: http://rutube.ru/tracks/1890782.html...84cf73ed52c7f5 Ivan Ilyin - About Bolshevism and the intractability of the Russian spirit http://online-video.su/video/9769 Russia, which we lost I advise you to listen: http://www.staroeradio.ru/collection.php?l=%D0%A8 Ivan Shmelev - Kulikovo Последний раз редактировалось tchaika; 24.05.2010 в 18:29. |
24.05.2010, 19:58 | Язык оригинала: Русский #54 | |
Новичок
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Added after 58 minutes
Цитата:
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24.05.2010, 20:01 | Язык оригинала: Русский #55 | |
Гуру
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Here, you are now advised, I will read.
Added after 10 minutes Цитата:
Even in the XIX century. began collecting ancient iconography. There was a lot of collectors and have been decrees on the establishment of museums. Start collection of ancient art at the Tretyakov Gallery was laid by PM Tretyakov: in 1890 they were acquired from the collection of icons, IL Silin, displayed in the halls of the Historical Museum at the time of VIII Archaeological Congress in Moscow. In the future were made and other acquisitions from other private collections, including the collection of N. Postnikov, SA Egorova, antiquary, P. Ivanov. It consisted of the icons of the Novgorod and Moscow schools; icons strogonovskih letters (ie, created in workshops owned by rich people Stroganoff). Among these acquisitions were such masterpieces as the icon "King King" ("Queen of Repre») XV century, "Good fruit doctrine" early XVII century, written by Nicephorus Savin, "Alexei Metropolitan» XVII century. Последний раз редактировалось Кирилл Сызранский; 24.05.2010 в 20:11. Причина: Добавлено сообщение |
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Этот пользователь сказал Спасибо Кирилл Сызранский за это полезное сообщение: | Игорь Гурьев (24.05.2010) |
24.05.2010, 20:31 | Язык оригинала: Русский #56 | |
Новичок
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Цитата:
Even in "History of the Russian State" Karamzin mentions the ancient artists, provides details about their products. They have become the subject of study for historians, but the real discovery of the iconic treasures happened later. The fact is that people are nineteenth century, ancient Russian icon painting is really easy not seen. Dark, covered with dust and soot that remained in the ancient temples of frescoes and mosaics, and literally became invisible icon - the main, the largest part of the ancient heritage. After all, frescoes and mosaics, in particular, were decorated in ancient times, not every church, and the icons were required not only in every church, and in every home. The reason for this invisibility icons - in the particular painting technique in which they sozdavalis.Doska, which must be written by an icon or covered with gesso primed fabric - velvet, and the image itself was applied but the soil tempera, ie mineral paints. A top image was covered with a layer of varnish. Drying oil well showing color and, more importantly perfectly protects the icon of the damage. However, linseed oil has the property over time, darken, and for 70-100 years, it was the dark so much so that almost completely concealed, under her paintings. So in 1840 the historian Ivanchin-Pisarev, sow the Trinity-Sergius Lavra, was able to see in stored there silnopotemnevshey "Trinity" by Andrei Rublev, the most valuable works of art. Until the middle of XIX century the general view remained that "making art put back in our homeland Peter I". Further more interesting. At the beginning of XX century, even before the 1917 revolution in Russia began to organize exhibition of old Russian icons, whereby short-term Russian icon has been recognized as one of the highest achievements of world culture. The famous French painter Henri Matisse (1869-1954), visited the exhibition of ancient icons of 1911, said: "Russian is not suspect what artistic treasures they possess. Italy in this field gives less ". In 60-ies of XX century for many fans of the national culture discovery of ancient icons is done by writing talent, VA Soloukhin (1924-1997), who has devoted an icon many pages of his works, "Letters from the Russian Museum" and "black". |
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24.05.2010, 20:44 | Язык оригинала: Русский #57 | |
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And I can see.
Цитата:
"1-2 icons ... ' A Collection of Shchukin, Ostroukhov, Count Uvarov, SP Ryabushinsky, AP Bakhrushin Bobrinsky, AA Brokar, Guchkov, Giraud, Sollogub, Kharitonenko, P . VP Shibanova, Shirinsky-Shikhmatov, O. and LL Zubalovo EE Egorova, NM Postnikov, SK and G. K. Rakhmanov, AV Morozov? |
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24.05.2010, 20:56 | Язык оригинала: Русский #58 |
Новичок
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In a private collection Shchukin was an enormous amount (more than 1000?) Exhibits related to the art of ancient Russia. But how many of them were icons of 15 th century? One embroidered front surface of the icon (Moscow, 1389) and two are the same sheet (Moscow, late 15 th century). I course. And you have not even named, but just moaning about nothing.
I think it s perfectly understand what I said. But something (the unconscious?) Forces you to be rude. And do not lead a normal dialogue. |
24.05.2010, 21:03 | Язык оригинала: Русский #59 | |
Гуру
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Цитата:
This is understood. You can even repeat after satirist Zadornov: "Stupid, these Americans are stupid-e-e!" Who? What? Can not answer: I read about the darkened varnish is not very interesting, as you mentioned Soloukhin books I read in the 72 th year. |
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24.05.2010, 22:09 | Язык оригинала: Русский #60 | |
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Цитата:
The main museums of the country, such as the Hermitage, the Tretyakov Gallery, the Historical Museum, they at the very early stages did not touch, at least, explicitly. Funds may be, and stirred, but history is silent about this. But where it was worse, and the museum took the old days. We had to travel around the city, to explore, ask questions. In one typical case, I came across. In Ivanovo-Voznesensk lived a rich merchant Burylin. The merchants at the end of the nineteenth century, too, has deteriorated to the highest cultural layer. You know, with Mamontov's private opera, Morozov, Ryabushinsky with its unique collection of Old Believer icons. National consciousness among the Russian merchant class was developed by this time very much. From the merchant class years through twenty or thirty would have gone to scientists, writers and statesmen. In short, this class has already been done to ensure that nourish the brain of the nation. Yes, and fed already. Ostrowski, Tretyakov, Mikhail Vasilyevich Nesterov - all of the merchants.
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Soloukhin from the book "The last stage", 1976. http://books.prometey.org/read/l4/page74/1840.html Последний раз редактировалось tchaika; 25.05.2010 в 15:15. |
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