Armenian artists - Страница 96 - Форум по искусству и инвестициям в искусство

Armenian artists · 04.01.2010, 08:21

Armenian artists on our site ARTinvestment.RU

A

National Gallery of Armenia
Minas Avetisyan (1928-1975)
Hakob Hakobyan
Hmayak Hakobyan
125th anniversary of Sedrak Arakelyan
Avakimyan Makarovich Victor (1935 -2007)
Agamyan Karen Gurgenovich
Avanesyan S. Rook
Vahan Ananian (1959-2007)
Aslamazyan Arshakovna Miriam (1907-2006)
Aslamazyan Eranui Arshakovna (1910-1998)
Arutyunyan, NA Solov'eva, Arutyunyan, SA, Solovieva AV
Avoyan Ayvaz
Adalyan Ruben
Avakian, Sergei
Armenian Ceramics of Jerusalem
Armenian Ceramics of Jerusalem (2)
Armenian Ceramics of Jerusalem (Marie Balian)
Armenian ancient ceramics (Jerusalem).
Arthur Avetisyan, Ananikyan Hagop (1919-1972gg), Ananian Pato (1908-1991), Gagik Antashyan, Michael Arakelian, Vahram Haroutunian, Arutchyan Sergei Voskan Asatryan, Rafael Atoyan
Abajian Edward
Agamyan Karen
Arevik Arevshatian
Aladzhalov Manuel Hristoforovich
Amalbashyan Sarkis
Robert G. Avetisyan
died folk artist Edward Artsrunyan
Suren Ayvazian
Suren Abrahamian Artashesovich
Abrahamian Seda Artashesovna
Abrahamian Elena Levonovna
Abrahamian Vladimir Smbatovich
Abrahamian Karapet Rafaelovich
Abrahamyan Sargis Surenovich
Abrahamian David Aramaisovich
Abajian Eduvrd Gareginovich
Abrahamian Artashes Saakovich
Abrahamyan Gagik Aramaisovich
Atamyan Karabed Charles (1872-1947)
Stepan Aghajanian Meliksetovich (1863 - 1940)
Gyumri home Aslamazyan sisters
Arutyunyan, NA Solov'eva, Arutyunyan, SA, Solovieva AV
Arpine Vartanovna Bekaryan
Ashot Adamian Kh (1951g.r.)
Adamian Olivia Ashotovna (1974g.r.)
Adamian Ovsepovich Stepan (1959.)
Harutyunyan, Anna (1976)
Stepan Aghajanian Meliksetovich (1863 - 1940)
Adiyan Anna V. (born 1972)
Azatyan Alexander Tadevosovich (1930gr)
Azatyan Levon Garushevich - 1957gr.
Azizian Tsolak L.
Susanna Azatyan Garushevna - 1947gr.
Azizian Tsolak (Private collection of pictures)
Abraham Azarian Karapetovich (1950gr).
Azizian Minasovich Gregory (1923 to 2009)
Azizian Rafael Karenovich-1937gr
Azizian Khachatur Surenovich-1948gr
Azizian Isabella Hachaturovna - 1973gr.
Atayan Alexander Keropovich-1953gr.
Armen Atayan Arshakovich-1922gr.
Atayan Armen (2)
Museum of the History of Armenia

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Just Armenia ... I really like this country ..

Евгений · 11.02.2011, 21:39

Saryan (1880 - 1972 years) - at all times, a surprising discovery for those who first saw his work, filled with light and color. "The color - a true miracle! - Exclaimed the artist. - In conjunction with sunlight, it creates an inner contents of a form, expresses the essence of universal being. " Popularity Martiros Saryan - pupil Valentin Serov and Konstantin Korovin, combining tradition and innovation, East European art of the twentieth century - has found fairly early, participating in exhibitions Petersburg, Moscow, Paris, Venice ...

Today, the largest collection of works by Saryan, of course, can boast of a house-museum of the artist in Yerevan (247 units), 67 master works in different years was bought Tretyakov Gallery. There's his picture - in the collections of European and American museums in the former Soviet republics. In the early 50-ies lucky enough and Chelyabinsk. According to the decision of the Committee on the Arts Council of Ministers of the USSR in the Southern Urals were presented two papers Saryan, which are stored in the vaults of the Chelyabinsk Regional Museum of Art, and only from time to time appear in showrooms.

A painting "Mednohimichesky plant in Alaverdi," about which we want to tell yuzhnouraltsev can see the end of March the exhibition "Illusions of realism" (street of Labor, 92A).

Читать дальше...

1.Martiros Saryan "Mednohimichesky plant in Alaverdi, 1937
Oil on canvas, cm 138h200
Collection of the Chelyabinsk Regional Museum of Art
2.Boris Yakovlev Rudnik. Satka, 1935
Oil on canvas
Collection of the Chelyabinsk Regional Museum of Art

Евгений · 12.02.2011, 10:04

Artist zhivopisets.Chlen Artists Union SSSR.Zasluzhenny of Arts Uz SSR (1968). Professor.Okonchil Republican Art School (1944-1947), studied with Alexander Volkov, V. Ufimtseva, P. Ghana, and the Institute of Painting, Sculpture and Architecture Repin (1947-1953) in B. Johanson, and AA Myl Teacher RCU (1953). Since 1954 teacher of the Tashkent Theatre and Art instituta.V the first half of the fifties is the path of becoming a creative T. Oganesova. In painting, he preferred the cold color. Colors in the portraits are always caused by emotional state depicted cheloveka.Lyubimye genres: psychological portret.V he created works depicted the heads of the people, cotton growers, voennachalniki, writers and hudozhniki.Avtor paintings: "My Son" (1955), "S. P. Borodin (1957), "Nurse" (1958), a portrait of a miner, "Jumabaev" (1959), "Tursunoy" (1959), a portrait painter V. Yeremyan "(1962)," Fidel "(1963)," Hamza "( 1972), portraits by A. Biruni "," A. Kadiri (1974). His works are kept in GMI Uzbekistan
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Interested in painting, graphic artist write [email protected] (EA)

Евгений · 12.02.2011, 18:25

Цитата:

Сообщение от "Eugene

LOT 77.Nalbandyan DA (1906-1993) PORTRAIT OF THE WIFE (1950-e)

Canvas /maslo.125 x 110 cm

1200000 - 1500000 p.
http://www.shishkin-gallery.ru/aucti...77.html#bottom---------------------------------

Sold for 900,000 rubles.

Евгений · 12.02.2011, 19:00

Chief specialist on the works of Ivan Aivazovsky, Ivan Samarin, in conversation with art director of the gallery 'Eritazh Christine Krasnyansky told about the secret to the popularity of famous Russian marine painter among collectors ..
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Читать дальше...

Valerit · 18.02.2011, 07:49

Цитата:

Сообщение от Eugene

--- he could not buy an apartment and studio in Chernovtsy and was granted refugee status in the U.S. .... http://forum.artinvestment.ru/showthread.php?t=31305
http://artnow.ru/ru/gallery/3/12170.html
[/SPOILER]

It is not so! He bought a house in Chernivtsi and lived there for about two years before leaving in the U.S. .. I came to him several times in Chernivtsi. Before that he lived with me in Tallinn about a year and I took him to the studio, where he worked. His wife all the time "protected" pictures in Baku.Kotorye were successfully removed a year later under the protection of the Special Forces submachine with Valentina Abelevnoy from Baku in his own house in Chernivtsi.

Евгений · 18.02.2011, 08:04

Цитата:

Сообщение от Valerit

Not so! He bought a house in Chernivtsi and lived there for about two years before leaving in the U.S. .. I came to him several times in Chernivtsi. Before that he lived with me in Tallinn about a year and I took him to the studio, where he worked. His wife all the time "protected" pictures in Baku.Kotorye were successfully removed a year later under the protection of the Special Forces submachine with Valentina Abelevnoy from Baku in his own house in Chernivtsi.

Dear Valerit, all questions on the biography of the artist Sarkisov to the Forum aadlar he was the representative of the artist on the forum ..

Цитата:

Сообщение от aadlar; 432455"

The tragedy of the family Sarkisov, ever abandoned the beginning of the century homes, got to the end of the century, continued in his own life. All the twists of fate M. Sarkisov, and tragic at the same time on a special happy: he had failed to move into a swept element of Spitak, where he was given an apartment with a good studio, and had time to leave Baku, has taken out a significant part of his work, he could not buy a flat and workshop in Chernovtsy and was granted refugee status in the U.S.. Fate cruelly pushes him around the world, but if saves for new achievements.

Цитата:

Сообщение от aadlar; 432455"

If you are interested in creativity Jura Sarkisov, we can answer any questions. Official Web site of the artist: www.tersar.com;
In their 80, the artist continued to work and creates unique graphic work.

Valerit · 20.02.2011, 18:55

Цитата:

Сообщение от Eugene

UvazhaemyyValerit, all questions on the biography of the artist Yuri Sarkisov to the Forum aadlar he represented the artist on the forum ..

I am familiar with "aadlar" by correspondence. He was a daughter of the artist.
Artist Tersar (Yuriy Sarkisov) is my teacher. He taught me to understand the present painting, and I thank him for it. Six years, I went to see him in Baku, then in Chernivtsi. With this artist, I felt that a person can approach the divine. It made me happy. I began to understand the art of Kandinsky's example. I love Cezanne and Rembrandt. I think this triple be the greatest artists of all time.
Any claims I do not have and can not be. I just made a clarification.

sur · 20.02.2011, 21:03

Цитата:

Сообщение от Eugene

Feodosia National Picture Gallery. Ivan Aivazovsky.

Past 10 years, annually am in Feodosia. Several visits to the gallery Aivazovsky. His manner of writing the sea to this day serves as a benchmark for most artists Crimeans. Exceptions are very rare. A rare example of a letter of the sea are not under Aivazovsky, can serve as a way of drawing the sea Artem Puchkov with our forum.

"Tarhankut. A. Tufts.

sur · 26.02.2011, 15:04

As he had promised to inform you about upcoming performances Mosarmteatra.

Posted 1 hour 25 minutes
DEAR LADIES AND GENTLEMEN!
Dear viewers!

VIII THEATER SEASON

27 February 2011 at 18.00 in the cinema "Neva"

Robert Thom

"In 8 women, a man with no luck ..."

(Ironic Detective in 2 acts)
(In Russian)

Director - Nellie Shahbazova
Scenography - Andrius Maiminas
Choreography - Sonna Hovsepian

Cast:

Marseille - in its place could be any man, indifferent to the female sex.
Gaby (husband Marcel) - Karina Hidekel
Augustine (Sister Gabi) - Zita Badalyan
Granny (mother Gabi) - Lear Aylarova
Syuzon (eldest daughter Gabi) - Victoria Yaremenko
Catherine (younger daughter Gabi) - Naira Hovsepian
Pierrette (sister of Marcel) - Sona Hovsepian
Madame Chanel (Housekeeper) - Janna Oganessian
Louisa (maid) - Sophia Torosyan
He - Dmitry Pervushin

Morning ... On Christmas Eve in a quiet estate near Paris. But ... Celebration marred. Killed the only man in dome.Kto blame for the tragic denouement? 8 charming women who have fought with no rules for their share of happiness ... or a man to take on a tremendous burden to be affectionate and attentive to each of them?
In the woven fabric of detective tragicomic situation and psychological portraits of characters.

Address: ul. White Sea, etc. 16a. (M. River Station)
Help by phone: 8 903 6741884
Theatre Box Office: +7 (495) 4574221
+7 (495) 4574231

March 7, 2011 at 18.00 in DUROV ART CAFE

Annie Wilson
"Looking for a favorite"

(Comedy-guide for those wishing to find the second half)

(In Russian)
Director - Nellie Ayhhorn (artistic director of Berlin theater "Sommer Theater am Alex" and theater "Am Olgaeck" the city of Stuttgart)

Cast:

She - Zita Badalyan
Dima - Vyacheslav Kornichenko

It used to be, the men went in search of a favorite in distant lands, getting ready for her, the only one to make all the feats of the world. In our modern, rational age everything has become much easier. One has only to leaf through a magazine for singles and other reliability, equip it with all sorts of manuals on how to find a mate. It was for such a method makes use our hero, Dima, abandoned, and I can even say treacherously abandoned by Vika. Vika, who, departing, took with them a new life, even a shelf, together bought in Ikea store at River Station.
And now, sweet to every man a word - Svobodaaa! Yeah! But so quickly devastating the refrigerator, and overflowing basket of dirty laundry! And, of course, most importantly, cold nights alone. And here, again in search of Dima! In the search for the beloved and loving!
What kind of woman every man is looking for, but in our case, our hero Dima?
A woman who will turn your kitchen into a luxurious five-storey small-sized restaurant, a bedroom, so that poor Dutch, with their red lights do not even have dreamed, and while remaining chaste as the morning dew, smart as all the sages of the world and of course a very very very beautiful blonde ... Or maybe a brunette? Or Brown?
Before the audience is rapidly sweeping gallery female images. The girls, each of which is ideal, probably for someone, but ... Oh really, but it ... But it is important to understand what she is your half, your ideal woman. On whom the girls chose our hero? In whose languid voice, he will find those unique notes, without which no open flowers ... in a pot on the windowsill? .. Annie Wilson

Address: ul. Pavlovian, 6 (m.Serpuhovskaya, Dobryninskaya)
Telephone: 8 (495) 952-2064

http://www.mosarmteatr.ru/

Евгений · 28.02.2011, 13:04

Hayk Grigoryan did not correspond to the image of the Armenian artist. He did not see bright sunny colors, the bed onto the canvas with generous strokes. He is the schedule. His favorite niche - a small chart. Perhaps that is why he is still much more popular in Europe than in Armenia.

Ike, when you realized that you be an artist?
- I think I always knew. I do not know how. We have a family of artists there. All - doctors. True, my passion for drawing since childhood encouraged grandfather. And then I was, besides, did not interest him. I remember my beautiful and very strict teacher of physics, Vera L. called me to the board. I say: "You know that I will not answer anything in physics." - "Who said I'm with you about the physics will be speaking? - She replied. - Today we will talk about Renoir. That's what it was a wise teacher and just put me triple. In short, when I told my parents that I would go not to the medical, and art, no one objected. Perhaps by the time this option was already evident.
And were you at the Academy of Fine Arts.
- I studied there in the most difficult for Yerevan years - from 90 th to 96 th. I stomped on foot several miles in the rain and snow. A winter in college premises was a terrible cold. We have something for warming the drink. But nature - the poor old lady, who paid some pittance - about 15 minutes froze to the chair. But I loved it, than takes on!
All the children draw colorful pictures. How did the transition to a schedule?
- Since childhood, I went into the schedule immediately and completely. Sometimes, of course, draw and paint, but he liked the pencil and pen.
However, the Armenian painting tradition is replete with bright colors.
- Color is at any picture - at least black and white. In general, the book is the perfect color - a white sheet of paper, black paint and a million of its hues.

Читать дальше...

My friends often laugh at me, they say, no matter how many colors are mixed, I do not, you still get a result of some marsh color. I understand that the schedule and, in particular, printed graphics small form into which I plunged, not very popular with us. Well, there are a few artists, but there is so little that we can not even organize an international exhibition in Yerevan. After all, for that host must provide at least 10-15 of their masters. And they are not. In 2007 we organized an exhibition of prints. So, it was attended by only 6 of the Armenians. But it's my choice. Each person must live their lives, their own, not imposed under any circumstances. And there is protest. Life can not be protested, she - a gift, you know? And the people in it, like water, always finds its way.
Maybe the fact that these jobs require a great thoroughness that we are not typical?
- Do not think so. Especially in the schedule is not always all it involves drawing the smallest detail. Look at the works of masters of modern European charts. There are also so subtle, detailed, my, compared with just baby talk, just a "boy, get back, you interfere." And there are, so to speak, monumental things. After all, in fact, and the beauty of art, that there is no limit either diversity or excellence. And a good artist is not one, not the one who made the best of them all - so just do not happen - but the one who created his own world and he was absolutely honest. So, in my world there is no bright colors. There are strokes, dots ...
I can imagine how you would have objected Martiros Saryan.
- That people and beautiful that do not resemble each other. I do not like the popular image of the Armenian artist. All napachkat, throw paint and sit amidst all this in the attitude of a thinker. It's not for me. But I think that this is not the most important thing in our work.
And what is most important?
- From the artist, in my opinion, the same principle that physicians - do no harm. Anyway, when I take the hands of a good sheet of paper, I covered exactly this feeling - as if it does not spoil. After a clean sheet can be better than what it appears. Do you know how I have kept a wonderful paper, which I do not venture to touch? This year, my wife slipped me a great podlyanku - commissioned and presented a magnificent album. So, I open it from time to time, I think: "Oh, what a paper!" - Close and save. It reminds me of an old film about the sculptor who the teacher was dying, bequeathed the Carrara marble slab with the words: "I am not able to create this great stone creations, you do it." He goes to war, comes back, gets married, have children, begins to look for jobs, making tombstones. Block of marble all the time somewhere gathering dust - not up to it. And before his death he bequeathed it to his student ... This is the story of my album. I would like to fill it exclusively to decent work. But not always work the way you thought of. Let's see how to come out.
http://yerevanmagazine.com/vse_ottenki_chernogo/

11.02.2011, 21:39	Язык оригинала: Русский #951
Евгений Гуру Регистрация: 04.06.2008 Адрес: Сочи Сообщений: 14,663 Спасибо: 18,865 Поблагодарили 16,455 раз(а) в 4,506 сообщениях Записей в дневнике: 273 Репутация: 32442	Saryan: "Give me the sun!" Saryan (1880 - 1972 years) - at all times, a surprising discovery for those who first saw his work, filled with light and color. "The color - a true miracle! - Exclaimed the artist. - In conjunction with sunlight, it creates an inner contents of a form, expresses the essence of universal being. " Popularity Martiros Saryan - pupil Valentin Serov and Konstantin Korovin, combining tradition and innovation, East European art of the twentieth century - has found fairly early, participating in exhibitions Petersburg, Moscow, Paris, Venice ... Today, the largest collection of works by Saryan, of course, can boast of a house-museum of the artist in Yerevan (247 units), 67 master works in different years was bought Tretyakov Gallery. There's his picture - in the collections of European and American museums in the former Soviet republics. In the early 50-ies lucky enough and Chelyabinsk. According to the decision of the Committee on the Arts Council of Ministers of the USSR in the Southern Urals were presented two papers Saryan, which are stored in the vaults of the Chelyabinsk Regional Museum of Art, and only from time to time appear in showrooms. A painting "Mednohimichesky plant in Alaverdi," about which we want to tell yuzhnouraltsev can see the end of March the exhibition "Illusions of realism" (street of Labor, 92A). Читать дальше... "I think we got the job in 1951, not without effort then director of our museum Gabriel N. Lapina - says researcher Chelyabinsk Regional Museum of Art Natalia Kozlova. - He made several trips to Moscow, the Ministry of Culture, and he had the opportunity to select works of art for our gallery. It is noteworthy that this pattern was written in 1937, in the most tragic period of the artist's life. Repressed many of his friends, and their portraits Saryan burned. If we divide the years of the artist at times, the interval from 1935 to 1941 the year can be called a kind of vow of silence Saryan. "During this period it was written only six paintings, our - one of them - continues to Natalya. - It is clearly written for the All-Union exhibition "Industry of Socialism", which later was involved, then there was a kind of state order. It is not surprising that this industrial landscape. These stories rarely found in the works Saryan. He is a singer of nature. Nature of the artist considered his most important teacher. But this fabric allows more acutely understand the very important thing: Sarian was unbeaten circumstances, the historical course of events, he has not changed itself. What do we see? Small housing complex, which neither of color or scale does not dominate the surrounding mountains. Industrial form does not suppress the grandeur of nature, it blend in with mountains, although in this historical period is required to sing the industrialization, the technical side of the converter of the Soviet man. But Saryan true to his understanding of world order: the nature of independent and dignified, she does not belong to man, we are only small particles of the masses. Its powerful spiritual life was not suppressed by the system, already a young Sarian can be called a sage, he was able to get away from the tenets of Socialist Realism, it is not by chance, as Alexander Deineka repeatedly attributed to artists, not hidebound in his work formalist remnants. "In this context begs the comparison, - says Natalya Kozlova. - At our exhibition features another industrial landscape - Actor Boris Yakovlev Rudnik. Satka. It is evident that this is an entirely different artistic decision. This, of course, artists of different levels, but it is important to understand their relationship to the place of man and nature in the universe. Y Yakovlev (almost all cloth) razverzsheesya bosom of the earth. Man as master introduced into the wild. In the background - the Ural Mountains, and above them are not clouds - blue-gray haze as a product of civilization. Painter completed its task of the party: to show how Soviet people build the future of the Soviet Union. And even the color contrast characterizes world artists. In Saryan (if you remember him simvolisticheskie roots, and he a former member of art group "Blue Rose") coloristic feast: blue-green color of the sky and the earth's green shades of sandy ocher and pink, red-brown echoes solar reflections. And Yakovlev permeated all technical color: dark brown earth dumps, blue-gray, with a metallic tint, smoke and even mountains that are called poetic blue, painted with an industrial haze from factory chimneys. A person called Saryan Martiros little creature. He wrote: "Nature creates man in order to look at herself through his eyes, to know yourself and admire its beauty. And this is the greatest happiness of man. A gigantic, infinite nature and small creatures that carry a limitless grandeur. " In the lower right corner of the painting "Mednohimichesky plant in Alaverdi" we see several groups of people: some sports, others are sent to the plant, others simply walk. Surprisingly, that are written in the style of Egyptian Men frescoes. In 1910-1913 the artist's visit to Constantinople, Egypt and Iran. This trip had a profound influence on his work. Brushwork, juicy palette fascinated many visitors to its exhibitions after a visit to the East by the artist, the paintings Saryan eagerly bought by collectors and museums. "We have Saryan canvas" Building the Bridge "(1933), where the arch constructive architecture is building the bridge is very different from most current at the time of acute-and rectangular, - says Natalya Kozlova. - The system shows a clear picture of the artist's fascination with Egyptian culture, hence the unusual architectural forms and this ratio is typical for the perception of Egyptian culture - rhythmically organized multi-figure groups of people together to erect something huge, commensurate with the pyramids. Theme of the relationship between man and nature to the artist, he remarkably made it clear that man is not a crown, a mirror, looking into which nature, the universe can admire themselves. " Poet Maximilian Voloshin says of Martiros Saryan: "guiding principle for the Sarian was the principle of simplicity in equal measure as a picture and color ... If you characterizing the color he finds himself at the same time and colorist, and a visionary secret soul of things. Instinct of the blood flowing through his veins, he suggests a purely eastern range of colors, and striking with a simple tone on the other hand, he can cause an impression of diversity and splendor. " In Saryan was a special relationship to color. Spectacular event for him was the first trip to the Caucasus, which determined the whole of his future path. "The funds I have been limited, I have gradually learned the language of painting, the palette was I still gray - the artist wrote. - The school gave me a lot, but in me was just beginning to emerge artist ... Sunk into my head this idea - find some new weapons, new tools to better and stronger pass on their enthusiasm and experience ... On this large and thorny road the most important milestone and became the fulcrum of native Armenia with its unique landscape and all the colors of life of its people. I chose this road. There is no other way did not attract me more than this. " A later trip to France and before that familiarity with the Impressionists even more elated supporter the Symbolists "Blue Rose" on the right track, and all his life he followed the motto of Paul Gauguin: "The artist must be himself, only himself, always himself." No charges of formalism, or political pressure, nor deprivation for long periods of solo exhibitions have not broken Saryan. He remained himself - a lot of great masters. "Born in Russia in 1921 he went to Armenia, where he now set his house-museum, and glorifies his country, without changing his personal top - emphasizes Natalia Kozlova. - This confirms our industrial landscape, the numerous works created by them after the war when it was written many still lifes. A flower like a fountain of love - the topic he was persuaded and enticed since 1915, after it experienced heavy tragedy of the Armenian genocide. He said: "Art should not return people to the nightmare that they have experienced in reality. Eyes, shed tears, and souls who have experienced suffering, we must give the beauty and joy. " This rule did not like other artists have followed the rules all my life. All of his work - sunshine, brightness. Two pictures that are stored in our museum - these masterpieces of the masters of the twentieth century. " "Give me the sun, color, light!" - Exclaimed the artist. And he wrote: "... no more than a century ago, artists were applied to the canvas for the most part grayish mix of tones. Then came the Impressionists and discovered long ago not susceptible to color people's eyes. Paramount importance are two factors - the color and light. When they use the right form of the soul is created. " That's the whole Saryan! Svetlana Simakov, 27 January 2011 1.Martiros Saryan "Mednohimichesky plant in Alaverdi, 1937 Oil on canvas, cm 138h200 Collection of the Chelyabinsk Regional Museum of Art 2.Boris Yakovlev Rudnik. Satka, 1935 Oil on canvas Collection of the Chelyabinsk Regional Museum of Art Миниатюры

12.02.2011, 10:04	Язык оригинала: Русский #952
Евгений Гуру Регистрация: 04.06.2008 Адрес: Сочи Сообщений: 14,663 Спасибо: 18,865 Поблагодарили 16,455 раз(а) в 4,506 сообщениях Записей в дневнике: 273 Репутация: 32442	Oganesov Tachat Amayakovich (1922.01.II - 1991.14.V) Artist zhivopisets.Chlen Artists Union SSSR.Zasluzhenny of Arts Uz SSR (1968). Professor.Okonchil Republican Art School (1944-1947), studied with Alexander Volkov, V. Ufimtseva, P. Ghana, and the Institute of Painting, Sculpture and Architecture Repin (1947-1953) in B. Johanson, and AA Myl Teacher RCU (1953). Since 1954 teacher of the Tashkent Theatre and Art instituta.V the first half of the fifties is the path of becoming a creative T. Oganesova. In painting, he preferred the cold color. Colors in the portraits are always caused by emotional state depicted cheloveka.Lyubimye genres: psychological portret.V he created works depicted the heads of the people, cotton growers, voennachalniki, writers and hudozhniki.Avtor paintings: "My Son" (1955), "S. P. Borodin (1957), "Nurse" (1958), a portrait of a miner, "Jumabaev" (1959), "Tursunoy" (1959), a portrait painter V. Yeremyan "(1962)," Fidel "(1963)," Hamza "( 1972), portraits by A. Biruni "," A. Kadiri (1974). His works are kept in GMI Uzbekistan -------------------------------------------------- ------ Interested in painting, graphic artist write [email protected] (EA) Миниатюры

12.02.2011, 19:00	Язык оригинала: Русский #954
Евгений Гуру Регистрация: 04.06.2008 Адрес: Сочи Сообщений: 14,663 Спасибо: 18,865 Поблагодарили 16,455 раз(а) в 4,506 сообщениях Записей в дневнике: 273 Репутация: 32442	Chief specialist on the works of Ivan Aivazovsky, Ivan Samarin .... Chief specialist on the works of Ivan Aivazovsky, Ivan Samarin, in conversation with art director of the gallery 'Eritazh Christine Krasnyansky told about the secret to the popularity of famous Russian marine painter among collectors .. ------------------------------------------------- Читать дальше... Ivan Samarin - a citizen of the world. Father of Ivan and his family in 1930 hgodahchudom grandmother were taken to Paris, where he grew up in the Russian quarter. Ivan himself was born in Vienna and grew up in London. Despite the fact that he is half-Russian, raised children in the family Samarins as foreigners - the father deliberately took this decision after visiting Moscow in 1950. Ivan Samarin graduated from Eton and Oxford. He has repeatedly visited her grandmother, and the remainder live in the Russian quarter of Paris, and was so fascinated by this Russian island in the middle of Europe that he began to teach the Russian language, which now owns the well. The case, which led him, a specialist in French literature, the auction house Sotheby's, Ivan finds the happiest in my life. Jon Stewart, who was then a consultant to Sotheby's for everything as far as Russia, through a friend handed the phone Ivan. Russian Front Sotheby's consisted of a few specialists in the department of precious boxes. Well-educated Russian-speaking young man turned out to be very helpful, since the beginning of 1990 the market had serious collectors from Russia. The result of Ivan at Sotheby's was organized jointly with Stuart first Russian Week in 1996. Creativity Ivan Konstantinovich Aivazovsky, Ivan became interested after increasing his popularity in the international bidding. Ivan said that interest in creativity Russian seascape fueled by the fact that there was very little published information about Aivazovsky. He had gathered a lot of material about the life and work of Ivan Konstantinovich and published a monograph, well known both in Russia and abroad. Ivan Samarin now runs his own consulting company, specializing in Russian art, and organizes auctions of Russian art for Stockholms Auktionsverk - the oldest auction house in the world and one of the largest in Scandinavia. Does Russian art as a tool for investing some individual characteristics? I would not recommend it be considered art only as an instrument of investment. Acquire a piece of art must first of all because he likes. Remember - the true art has no true value. If you bought a horrible picture just because someone told you that it may increase in price, but it is the price actually falls, all you have left - it's a terrible picture ... Russian art - a rarity as to the XVIII century, the country did not exist secular painting. Rare it remained until the middle of the XIX century. At the same time in Russia is quite a big cultural stratum of people with a tradition of collecting. In Britain, for example, more art, but fewer people, and the younger generation is almost no interest in either history or antiques. You are a leading specialist on the works by Ivan Aivazovsky. This artist is extremely popular among Russian collectors. Is there, in your opinion, the explanation that so attracts art lovers in his work? Aivazovsky like collectors from around the world. He was the most expensive Russian artist of the XIX century on the market during the Soviet era, when the Russians were not allowed to buy anything. He is especially popular with collectors from Armenia and the Armenian Diaspora, as well as in Turkey, Greece and Italy. Now, when his native Crimea belongs to Ukraine, I encounter a Web site that describes how Ukrainian artist Ivan Aivazovsky. Can it be said that many count lektsioneram very close seascapes in general? Or just in the works by Aivazovsky, there is something that fascinates them? I think just in the XIX century, no one artist did not write the sea so ably, as did Aivazovsky. Is it true that Aivazovsky wrote sea in the studio? It's true, but since he started quite differently. He studied the sea in all its often changing conditions, until mid-1840's he worked in the romantic tradition of plein air painting, painted from nature. There is an amazing excerpt from the memoirs of the landscape painter Ilya Ostroukhova about how he worked Aivazovsky in old age: "During one of my trips abroad, in Biarritz in 1889, I was going to learn more about the working methods of the famous marine painter Ivan Aivazovsky. Especially at the same time that I arrived in Biarritz, was there and Aivazovsky. The most distinguished artist at that time was more than 70 years ... Upon learning that I am well acquainted with the topography, he immediately pulled me out for a walk on the beach. There was a storm, and Aivazovsky admiring view of the breakwater on the beach ... Without taking his eyes off the ocean and the landscape nearby hills, he slowly pulled out his tiny notebook and sketched it in pencil no more than three lines: the line of distant hills, the line of the ocean at the foot of the hills and line the shore. Then we continued our walk. After about a mile, he stopped again and made a drawing of a few lines from a different point. "Today, foggy day - said Aivazovsky. - Be kind, tell me where the sun rises and sets in this part of the world?" I told him he made a few notes in my notebook and took him back into his pocket. "And now let's go.'s Enough for me. Tomorrow I'll write a breakwater in Biarritz ..." And indeed, the next day he wrote three highly expressive paintings of breakwaters in Biarritz in the morning, noon and sunset. Occur if the market portraits of Aivazovsky? Portraits of Aivazovsky - a rare, perhaps because he was not well versed in them. In fact, collectors have them and are looking for. How did your fascination with Aivazovsky? Do you have a favorite work? I'm interested in Aivazovsky, while he worked at Sotheby's, because we are regularly sold his amazing work. Moreover, almost no information about the artist, but a few publications that appeared in the Soviet Union and describing all the same greatest hits from the Soviet museums. And I'll love him miniatures. Sometimes it's a tiny bar that fits in the palm. They seem to me a window into another world. Is it true that such works Aivazovsky wrote in a gift to your guests when he wanted to make clear that they overstay? I know that Aivazovsky often give a dinner at his home in Theodosia, and when the guests are gathered, they found tiny thumbnails (about 3x7 cm) in their dishes. Miniatures, which I say, more (about 20x30 cm). Aivazovsky often wrote them on the panels of the English oak of the highest quality. They literally shine. Keeping them in your hands, feel the intimacy, which is not where you're standing in front of the big picture. Миниатюры

26.02.2011, 15:04	Язык оригинала: Русский #959
sur Авторитет Регистрация: 19.01.2010 Адрес: Москва Сообщений: 763 Спасибо: 5,652 Поблагодарили 2,593 раз(а) в 536 сообщениях Записей в дневнике: 14 Репутация: 5219	Moscow Armenian theater. As he had promised to inform you about upcoming performances Mosarmteatra. Posted 1 hour 25 minutes DEAR LADIES AND GENTLEMEN! Dear viewers! VIII THEATER SEASON 27 February 2011 at 18.00 in the cinema "Neva" Robert Thom "In 8 women, a man with no luck ..." (Ironic Detective in 2 acts) (In Russian) Director - Nellie Shahbazova Scenography - Andrius Maiminas Choreography - Sonna Hovsepian Cast: Marseille - in its place could be any man, indifferent to the female sex. Gaby (husband Marcel) - Karina Hidekel Augustine (Sister Gabi) - Zita Badalyan Granny (mother Gabi) - Lear Aylarova Syuzon (eldest daughter Gabi) - Victoria Yaremenko Catherine (younger daughter Gabi) - Naira Hovsepian Pierrette (sister of Marcel) - Sona Hovsepian Madame Chanel (Housekeeper) - Janna Oganessian Louisa (maid) - Sophia Torosyan He - Dmitry Pervushin Morning ... On Christmas Eve in a quiet estate near Paris. But ... Celebration marred. Killed the only man in dome.Kto blame for the tragic denouement? 8 charming women who have fought with no rules for their share of happiness ... or a man to take on a tremendous burden to be affectionate and attentive to each of them? In the woven fabric of detective tragicomic situation and psychological portraits of characters. Address: ul. White Sea, etc. 16a. (M. River Station) Help by phone: 8 903 6741884 Theatre Box Office: +7 (495) 4574221 +7 (495) 4574231 March 7, 2011 at 18.00 in DUROV ART CAFE Annie Wilson "Looking for a favorite" (Comedy-guide for those wishing to find the second half) (In Russian) Director - Nellie Ayhhorn (artistic director of Berlin theater "Sommer Theater am Alex" and theater "Am Olgaeck" the city of Stuttgart) Cast: She - Zita Badalyan Dima - Vyacheslav Kornichenko It used to be, the men went in search of a favorite in distant lands, getting ready for her, the only one to make all the feats of the world. In our modern, rational age everything has become much easier. One has only to leaf through a magazine for singles and other reliability, equip it with all sorts of manuals on how to find a mate. It was for such a method makes use our hero, Dima, abandoned, and I can even say treacherously abandoned by Vika. Vika, who, departing, took with them a new life, even a shelf, together bought in Ikea store at River Station. And now, sweet to every man a word - Svobodaaa! Yeah! But so quickly devastating the refrigerator, and overflowing basket of dirty laundry! And, of course, most importantly, cold nights alone. And here, again in search of Dima! In the search for the beloved and loving! What kind of woman every man is looking for, but in our case, our hero Dima? A woman who will turn your kitchen into a luxurious five-storey small-sized restaurant, a bedroom, so that poor Dutch, with their red lights do not even have dreamed, and while remaining chaste as the morning dew, smart as all the sages of the world and of course a very very very beautiful blonde ... Or maybe a brunette? Or Brown? Before the audience is rapidly sweeping gallery female images. The girls, each of which is ideal, probably for someone, but ... Oh really, but it ... But it is important to understand what she is your half, your ideal woman. On whom the girls chose our hero? In whose languid voice, he will find those unique notes, without which no open flowers ... in a pot on the windowsill? .. Annie Wilson Address: ul. Pavlovian, 6 (m.Serpuhovskaya, Dobryninskaya) Telephone: 8 (495) 952-2064 http://www.mosarmteatr.ru/ Последний раз редактировалось sur; 26.02.2011 в 16:48. Причина: Добавлено сообщение

28.02.2011, 13:04	Язык оригинала: Русский #960
Евгений Гуру Регистрация: 04.06.2008 Адрес: Сочи Сообщений: 14,663 Спасибо: 18,865 Поблагодарили 16,455 раз(а) в 4,506 сообщениях Записей в дневнике: 273 Репутация: 32442	All shades of black ... Hayk Grigoryan did not correspond to the image of the Armenian artist. He did not see bright sunny colors, the bed onto the canvas with generous strokes. He is the schedule. His favorite niche - a small chart. Perhaps that is why he is still much more popular in Europe than in Armenia. Ike, when you realized that you be an artist? - I think I always knew. I do not know how. We have a family of artists there. All - doctors. True, my passion for drawing since childhood encouraged grandfather. And then I was, besides, did not interest him. I remember my beautiful and very strict teacher of physics, Vera L. called me to the board. I say: "You know that I will not answer anything in physics." - "Who said I'm with you about the physics will be speaking? - She replied. - Today we will talk about Renoir. That's what it was a wise teacher and just put me triple. In short, when I told my parents that I would go not to the medical, and art, no one objected. Perhaps by the time this option was already evident. And were you at the Academy of Fine Arts. - I studied there in the most difficult for Yerevan years - from 90 th to 96 th. I stomped on foot several miles in the rain and snow. A winter in college premises was a terrible cold. We have something for warming the drink. But nature - the poor old lady, who paid some pittance - about 15 minutes froze to the chair. But I loved it, than takes on! All the children draw colorful pictures. How did the transition to a schedule? - Since childhood, I went into the schedule immediately and completely. Sometimes, of course, draw and paint, but he liked the pencil and pen. However, the Armenian painting tradition is replete with bright colors. - Color is at any picture - at least black and white. In general, the book is the perfect color - a white sheet of paper, black paint and a million of its hues. Читать дальше... My friends often laugh at me, they say, no matter how many colors are mixed, I do not, you still get a result of some marsh color. I understand that the schedule and, in particular, printed graphics small form into which I plunged, not very popular with us. Well, there are a few artists, but there is so little that we can not even organize an international exhibition in Yerevan. After all, for that host must provide at least 10-15 of their masters. And they are not. In 2007 we organized an exhibition of prints. So, it was attended by only 6 of the Armenians. But it's my choice. Each person must live their lives, their own, not imposed under any circumstances. And there is protest. Life can not be protested, she - a gift, you know? And the people in it, like water, always finds its way. Maybe the fact that these jobs require a great thoroughness that we are not typical? - Do not think so. Especially in the schedule is not always all it involves drawing the smallest detail. Look at the works of masters of modern European charts. There are also so subtle, detailed, my, compared with just baby talk, just a "boy, get back, you interfere." And there are, so to speak, monumental things. After all, in fact, and the beauty of art, that there is no limit either diversity or excellence. And a good artist is not one, not the one who made the best of them all - so just do not happen - but the one who created his own world and he was absolutely honest. So, in my world there is no bright colors. There are strokes, dots ... I can imagine how you would have objected Martiros Saryan. - That people and beautiful that do not resemble each other. I do not like the popular image of the Armenian artist. All napachkat, throw paint and sit amidst all this in the attitude of a thinker. It's not for me. But I think that this is not the most important thing in our work. And what is most important? - From the artist, in my opinion, the same principle that physicians - do no harm. Anyway, when I take the hands of a good sheet of paper, I covered exactly this feeling - as if it does not spoil. After a clean sheet can be better than what it appears. Do you know how I have kept a wonderful paper, which I do not venture to touch? This year, my wife slipped me a great podlyanku - commissioned and presented a magnificent album. So, I open it from time to time, I think: "Oh, what a paper!" - Close and save. It reminds me of an old film about the sculptor who the teacher was dying, bequeathed the Carrara marble slab with the words: "I am not able to create this great stone creations, you do it." He goes to war, comes back, gets married, have children, begins to look for jobs, making tombstones. Block of marble all the time somewhere gathering dust - not up to it. And before his death he bequeathed it to his student ... This is the story of my album. I would like to fill it exclusively to decent work. But not always work the way you thought of. Let's see how to come out. http://yerevanmagazine.com/vse_ottenki_chernogo/ Миниатюры

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