In a series of modern Crimean artists name
Andrei Orlov, above all, to be named when talking about the film, which is determined by the essence of understanding the world through color, but not limited to the name of the topic or recognizability of the plot, the sincerity of the motive or the astonishing effects and pretentiousness manners or provocative form. The imagery of his works teetering between the decorative vigor daring confrontation self-sufficient colors and fine game rich palette of shades. Scenic Toolkit closes in a wide range of expression from the beginnings of color Dutch discoveries "old masters" enriched French post-Impressionists to wsaconnect Americans of the value of color in abstract painting. Mark Rothko, Kees van Dongen, Chaim Soutine, Pierre Bonnard, Henri Matisse - eminently having subdued paint - looks Orlov tuning fork sound color. His painting is free from ballast symbolism and conceptualism, in her purity unique image is generated by the organic complexity of well-defined relationships of color on the canvas. Cool cobalt, ultramarine blue or turquoise does not extinguish, unbridled steaming, raskalennojj cadmium, cochineal or madder lake, and quenches the heat of a special kind of aesthetic thirst. Selfless reflection of the artist about the color structure revealed nature, which is the painting itself, immerses true connoisseur, thin individual States in full life color.
Art Historian: Paul Chlebowski